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J\u00fcrgen Klauke, Eine Ewigkeit ein L\u00e4cheln<\/em>, aus dem Zyklus 70iger, 1973 \u2013 1975, 9 C\u2011Prints, einzeln auf Aluminium kaschiert, unter Glas mit schwarzer Holzleiste gerahmt, Ed. 3\/3, Schenkung aus Privat\u00adbe\u00adsitz, Kunst\u00admu\u00adseum Wolfsburg<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t
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Jeff Wall, A Hunting Scene<\/em>, 1994, Cibachrome, Alumi\u00adni\u00adum\u00adleucht\u00adkasten, Leucht\u00admittel, Au\u00dfenma\u00dfe: 183 x 253 x 25 cm, sichtbare Gr\u00f6\u00dfe des Cibachromes: 167 x 237 cm, Ex. 1\/2, Inv. 1996\/10, Kunst\u00admu\u00adseum Wolfsburg<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t
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Ariel Reichman, I AM (NOT) SAFE<\/em>, 2021, Inter\u00adak\u00adtive Licht\u00adskulptur mit LED, Acrylglas, Stahl, 75 x 300 x 10 cm, Inv. DLG 2022\/02, Dauer\u00adleih\u00adgabe Christian Gerhartl<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t
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Mithu Sen, Phantom Pain 2<\/em>, 2018, K\u00fcnst\u00adliche Z\u00e4hne, Dental\u00adkunst\u00adstoff, \u2300 241 x 50 x 38 cm, Kunst\u00admu\u00adseum Wolfsburg<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t
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Jeff Wall, Wall Passerby<\/em>, 1994, Schwarzwei\u00dffotografie\n\t\t\t\t
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J\u00fcrgen Klauke, Zweisam\u00adkeitsi\u00adma\u00adgi\u00adnie\u00adrung<\/em>, 1996\/1997, 3\u2011teilige Fotoar\u00adbeit (blau get\u00f6nter C\u2011Print) auf Tr\u00e4ger\u00adplatten, Nirosta-Stahl\u00adrahmen, Schenkung aus Privat\u00adbe\u00adsitz, Kunst\u00admu\u00adseum Wolfsburg.<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n<\/div>\n\n\n\n
Infos<\/h2>\n\n\n\n\n
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In a world at a tipping point, where the desire for destruc\u00adtion and devas\u00adta\u00adtion is once again being celebrated quite openly, reality seems to be incre\u00ada\u00adsingly perceived through the filter of one\u2019s own emotions.<\/p>\n\n\n\n\n\n\n\n
Political and social tensions put people in a collec\u00adtively nervous and vulnerable mood. On the threshold between delusion and reality, between the self and the outside world, the exhibi\u00adtion explores the moment when these contra\u00addic\u00adtory emotional experi\u00adences arise. On Nervous Grounds uses selected works from the collec\u00adtion of the Kunst\u00admu\u00adseum Wolfsburg to show how art has created exciting spaces of resonance from the 1970s to the present day. Without attemp\u00adting to interpret reality, the exhibi\u00adtion approa\u00adches the sensi\u00adbi\u00adli\u00adties of our highly sensi\u00adtized present and the place where emotions arise.<\/p>\n<\/div>\n\n\n\n
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Curator<\/em>Curato\u00adrial Assistant<\/em>Press<\/h2>\n\n\n\n\n
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In a world at a tipping point, where the desire for destruc\u00adtion and devas\u00adta\u00adtion is once again being celebrated quite openly, reality seems to be incre\u00ada\u00adsingly perceived through the filter of one\u2019s own emotions. In a world at a tipping point, where the desire for destruc\u00adtion and devas\u00adta\u00adtion is once again being celebrated quite openly, [\u2026]<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","meta":{"wp_typography_post_enhancements_disabled":false,"kunstmuseum_formatted_page_title":"On Nervous Grounds. Zwischen Wahn und Wirklichkeit","exhibition_title":"On Nervous Grounds","exhibition_subtitle":"Between Delusion and Reality","exhibition_alternative_text":"","exhibition_start_date":"2026-05-09T14:37:00","exhibition_end_date":"2026-09-27T14:37:00","exhibition_gallery":"[32109,31950,31946,32111,32001,32068]","exhibition_poster":0},"tags":[689],"yoast_head":"\n
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