{"id":31911,"date":"2025-10-22T17:48:16","date_gmt":"2025-10-22T15:48:16","guid":{"rendered":"https:\/\/www.kunstmuseum.de\/?post_type=exhibition&#038;p=31911"},"modified":"2026-07-15T11:45:12","modified_gmt":"2026-07-15T09:45:12","slug":"tell-me-where-home-is","status":"publish","type":"exhibition","link":"https:\/\/www.kunstmuseum.de\/en\/exhibition\/tell-me-where-home-is\/","title":{"rendered":"Tell Me Where Home&nbsp;Is"},"content":{"rendered":"\n<p><\/p>\n\n\n<div class=\"wp-block-exhibition-slider alignfull \"><div class=\"exhibition-slider\">\n\t<div class=\"swiper-container\">\n\t\t<div class=\"swiper-wrapper\">\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"900\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-900x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-900x600.jpg 900w, 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900px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"1067\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1067x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1067x600.jpg 1067w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1024x576.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--768x432.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1536x864.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--100x56.jpg 100w, 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https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-1536x864.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-2048x1152.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-100x56.jpg 100w\" sizes=\"(max-width: 1067px) 100vw, 1067px\">\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n\t<button class=\"button-arrow open-credits-overlay\">\n\t\t<svg viewBox=\"0 0 14 14\">\n\t\t\t<path d=\"M5.977,13.852H16.608l-4.9,4.9,1.269,1.225,7-7-7-7L11.752,7.2l4.856,4.9H5.977Z\" transform=\"translate(-5.977 -5.977)\" \/>\n\t\t<\/svg>\n\t\tCredits\t<\/button>\n\t<div class=\"credits-overlay\" role=\"dialog\">\n\t\t<h3 class=\"h1\">Credits<\/h3>\n\t\t<div class=\"credits-list\">\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-2048x1366.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-900x600.jpg 900w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Alkan Avc\u0131o\u011flu<br>\nSymphony No. 1 in D Major, Op. 3, Presto: \u201cConver\u00adgence\u201d, 2023<br>\nAus der Serie Overpo\u00adpu\u00adlated Sympho\u00adnies,&nbsp;2023<br>\nArchiv\u00adpig\u00adment\u00addruck auf Baumwoll\u00adpa\u00adpier 67,6 x 101,6 cm (Druck) 72 x 105 cm (Rahmen)<br>\nEd. 5 + 2&nbsp;AP<br>\nCourtesy der K\u00fcnstler und Fellowship<br>\n\u00a9 Alkan Avc\u0131o\u011flu<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"150\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/07\/Coco-Olakunle_klabu_4-100x150.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/07\/Coco-Olakunle_klabu_4-100x150.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/07\/Coco-Olakunle_klabu_4-200x300.jpg 200w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/07\/Coco-Olakunle_klabu_4-683x1024.jpg 683w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/07\/Coco-Olakunle_klabu_4-768x1152.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/07\/Coco-Olakunle_klabu_4-1024x1536.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/07\/Coco-Olakunle_klabu_4-1365x2048.jpg 1365w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/07\/Coco-Olakunle_klabu_4-400x600.jpg 400w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/07\/Coco-Olakunle_klabu_4-300x450.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/07\/Coco-Olakunle_klabu_4-scaled.jpg 1707w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Coco Olakunle, <em>Hibo &amp; Hani from Somalia<\/em>, Kakuma, Kenya, 2018, Courtesy die K\u00fcnst\u00adlerin, \u00a9 Coco Olakunle<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"69\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-100x69.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-100x69.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-300x206.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-1024x705.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-768x529.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-1536x1057.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-2048x1410.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-872x600.jpg 872w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Olaf Metzel, <em>Sammel\u00adstelle<\/em>, 1992, metal, variable dimen\u00adsions, Instal\u00adla\u00adtion view, Kunst\u00adverein Hamburg, 2014, Courtesy of the artist, \u00a9 VG Bild-Kunst, Bonn, Photo: Fred Dott\/ Kunstverein<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"75\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web-100x75.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web-100x75.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web-300x225.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web-1024x768.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web-768x576.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web-800x600.jpg 800w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web.jpg 1500w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Cristina De Middel, <em>Hierve el Agua are petrified water\u00adfalls and sulfuric spring source located in the state of Oaxaca. Despite the growing affluence of tourists, it remains a sacred place for natives. Mexico<\/em>, 2019, \u00a9 Cristina De Middel\/Magnum Photos<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"133\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-100x133.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-100x133.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-225x300.jpg 225w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-768x1024.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-1152x1536.jpg 1152w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-1536x2048.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-450x600.jpg 450w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-300x400.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-scaled.jpg 1920w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Tracey Snelling, <em>One Thousand Shacks<\/em>, 2016, mixed media instal\u00adla\u00adtion with video, 475 x 310 x 40 cm, Instal\u00adla\u00adtion view, <em>Spaces Embodied<\/em>, 2024, Courtesy of the artist, \u00a9 Draif\u00adlessen Collec\u00adtion, Mettingen, Photo: Henning Rogge<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-2048x1365.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-900x600.jpg 900w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Alfredo Jaar, <em>One Million German Passports<\/em>, 2023, Laminated glass, safety glass, passports, 250 x 700 x 700 cm, Instal\u00adla\u00adtion view, Pinako\u00adthek der Moderne, Munich, 2023, Courtesy of the artist, Pinako\u00adthek der Moderne and Galerie Thomas Schulte, Berlin, Photo: Ulrike Myrzik<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"56\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--100x56.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--100x56.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1024x576.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--768x432.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1536x864.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1067x600.jpg 1067w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi-.jpg 1920w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Atiye Noreen Lax, Video\u00ads\u00adtill aus <em>Haymat<\/em>, 2024<br>\nEinkanal-Video 13 min, Courtesy die K\u00fcnst\u00adlerin, \u00a9 Atiye Noreen Lax<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"56\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-100x56.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-100x56.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-1024x576.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-768x432.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-1536x864.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-2048x1152.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-1067x600.jpg 1067w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Bani Abidi<br>\nVideo\u00ads\u00adtills aus The Song,&nbsp;2022<br>\nEinkanal-Video<br>\n22:36&nbsp;min<br>\nCourtesy die K\u00fcnstlerin<br>\n\u00a9 Bani&nbsp;Abidi<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-container-1 wp-block-group alignfull has-gray-background-color has-background\">\n<h2>Infos<\/h2>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis:66.66%\">\n<p>How do people define <em>Heimat<\/em> (\u201chome\u201d) in the 21st century? Can you still speak of home in the singular, when concepts of home have become incre\u00ada\u00adsingly plural in the present time? Has home as a geogra\u00adphical location had its day? How do people conti\u00adnu\u00adally form new homes for themselves?<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>Even our globa\u00adlized and digitized societies harbor a longing for home\u2014despite, or perhaps precisely because they are shaped by migration and constant change. The spectrum of reasons for forced and voluntary migration are manifold, and ongoing processes of forming a sense of home have long become the social normality.<\/p>\n\n\n\n<p>The central question is whether and how people find a sense of home within these turbulent social struc\u00adtures, with all their controversies.<\/p>\n\n\n\n<p>Houses and cities, countries and lands\u00adcapes, family, friends and commu\u00adnities, religion, music and language, cultural practices, food, digital platforms, and social networks\u2014in the area of tension between memory and the present, homes can take many different forms. <em>Tell Me Where Home Is<\/em> explores these develo\u00adp\u00adments through the global lens of 21st-century art, in which numerous artists\u2014whether poeti\u00adcally, metapho\u00adri\u00adcally, or directly\u2014address pressing questions surroun\u00adding home, migration, and belonging.<\/p>\n\n\n\n<p>With around 160 works of art and plenty of space to linger, <em>Tell Me Where Home Is<\/em> invites visitors to consider personal and collec\u00adtive concepts of home and to engage in trans\u00adcul\u00adtural encoun\u00adters. The exhibi\u00adtion seeks to foster under\u00adstan\u00adding of the traumas experi\u00adenced by forcibly displaced people and to encourage the accep\u00adt\u00adance of diversity as an essential part in the formation of new commu\u00adnities: homes every\u00adwhere, for everyone.<\/p>\n\n\n\n<p>The exhibi\u00adtion also brings together contri\u00adbu\u00adtions from a \u201eglocal\u201c perspec\u00adtive, developed by two colla\u00adbo\u00adra\u00adting partners: the Depart\u00adment of Inter\u00adna\u00adtional Urban Studies and Design at the Univer\u00adsity of Stuttgart and the Institute for Contem\u00adporary History and Urban Presen\u00adta\u00adtion in Wolfsburg. An inter\u00addi\u00adsci\u00adpli\u00adnary academic advisory board guided the develo\u00adp\u00adment of <em>Tell Me Where Home Is<\/em>, which has resulted in a trans\u00addi\u00adsci\u00adpli\u00adnary, richly illus\u00adtrated publi\u00adca\u00adtion (German\/English, approx. 300 pages) featuring contri\u00adbu\u00adtions from renowned authors as well as the parti\u00adci\u00adpa\u00adting artists. 39 \u20ac at the museum shop and <a href=\"https:\/\/kunstmuseum.ticketfritz.de\/Shop\/Index\/publikationen\">online<\/a>.<\/p>\n\n\n\n<p>Artists: Bani Abidi, Nevin Alada\u011f, Halil Alt\u0131ndere, Kader Attia, Alkan Avc\u0131o\u011flu, Yael Bartana, Birgit Brenner, Jenna Burchell, Ana Maria Caballero, Ishita Chakra\u00adb\u00adorty, Tiffany Chung, Anna Ehren\u00adstein, Alia Farid, Larissa Fassler, Gauri Gill, Patrick Goddard, Shilpa Gupta, Manaf Halbouni, Hannah Haller\u00admann, Anawana Haloba, Jeppe Hein, Sky Hopinka, Pieter Hugo, Tao Hui, Courage Hunke, Nadira Husain, Evan Ifekoya, Alfredo Jaar, Hayv Kahraman, \u0160ejla Kameri\u0107, Bronwyn Katz, Kiluanji Kia Henda, Atiye Noreen Lax, Shannon T. Lewis, Christian Manss, Olaf Metzel, Cristina de Middel, Radenko Milak, Johnny Miller, Carlos Motta, Alex M\u00fcller, Hira Nabi, Marina Naprush\u00adkina, Shirin Neshat, Coco Olakunle, Grit Richter, Odur Ronald, Ritu Sarin &amp;&nbsp;Tenzing Sonam, Titus Schade, Diana Scherer, Abeer Seikaly, Mithu Sen, Tracey Snelling, Inga Somdyala, Nasan Tur, Duncan Wylie, Lu Yang, Ci\u011fdem Y\u00fcksel, Julia Zejn, 0001 (Kollektiv)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\">\n<p><em>Curator<\/em><br>Uta Ruhkamp <br><br><em>Curato\u00adrial Assistant<\/em><br>Linus Jantzen and Anne&nbsp;Rybka<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n<h2>Press<\/h2>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<blockquote class=\"wp-block-quote\"><p><\/p><\/blockquote>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<blockquote class=\"wp-block-quote\"><p><\/p><\/blockquote>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<blockquote class=\"wp-block-quote\"><p><\/p><\/blockquote>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1024\" height=\"398\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/06\/2026-06-26_Logozeile_en_komplett-1024x398.png\" alt class=\"wp-image-35006\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/06\/2026-06-26_Logozeile_en_komplett-1024x398.png 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/06\/2026-06-26_Logozeile_en_komplett-300x117.png 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/06\/2026-06-26_Logozeile_en_komplett-768x299.png 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/06\/2026-06-26_Logozeile_en_komplett-100x39.png 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/06\/2026-06-26_Logozeile_en_komplett.png 1370w\" sizes=\"(max-width: 1024px) 100vw, 1024px\"><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>How do people define Heimat (\u201chome\u201d) in the 21st century? Can you still speak of home in the singular, when concepts of home have become incre\u00ada\u00adsingly plural in the present time? Has home as a geogra\u00adphical location had its day? How do people conti\u00adnu\u00adally form new homes for themselves? How do people define Heimat (\u201chome\u201d) [\u2026]<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","meta":{"wp_typography_post_enhancements_disabled":false,"kunstmuseum_formatted_page_title":"Tell Me Where Home Is","exhibition_title":"Tell Me Where Home Is","exhibition_subtitle":"","exhibition_alternative_text":"","exhibition_start_date":"2026-09-19T14:37:00","exhibition_end_date":"2027-01-17T14:37:00","exhibition_gallery":"[31954,35145,32817,32007,32819,32815,32005,31958]","exhibition_poster":0},"tags":[690],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tell Me Where Home Is - Kunstmuseum Wolfsburg<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/tell-me-where-home-is\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tell Me Where Home Is - Kunstmuseum Wolfsburg\" \/>\n<meta property=\"og:description\" content=\"How do people define Heimat (\u201chome\u201d) in the 21st century? 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