{"id":31911,"date":"2025-10-22T17:48:16","date_gmt":"2025-10-22T15:48:16","guid":{"rendered":"https:\/\/www.kunstmuseum.de\/?post_type=exhibition&#038;p=31911"},"modified":"2026-02-06T07:28:06","modified_gmt":"2026-02-06T06:28:06","slug":"tell-me-where-home-is","status":"publish","type":"exhibition","link":"https:\/\/www.kunstmuseum.de\/en\/exhibition\/tell-me-where-home-is\/","title":{"rendered":"Tell Me Where Home&nbsp;Is"},"content":{"rendered":"\n<p><\/p>\n\n\n<div class=\"wp-block-exhibition-slider alignfull \"><div class=\"exhibition-slider\">\n\t<div class=\"swiper-container\">\n\t\t<div class=\"swiper-wrapper\">\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"900\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-900x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-900x600.jpg 900w, 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srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1067x600.jpg 1067w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1024x576.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--768x432.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1536x864.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--100x56.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi-.jpg 1920w\" sizes=\"(max-width: 1067px) 100vw, 1067px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"1067\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-1067x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-1067x600.jpg 1067w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-1024x576.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-768x432.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-1536x864.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-2048x1152.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-100x56.jpg 100w\" sizes=\"(max-width: 1067px) 100vw, 1067px\">\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n\t<button class=\"button-arrow open-credits-overlay\">\n\t\t<svg viewBox=\"0 0 14 14\">\n\t\t\t<path d=\"M5.977,13.852H16.608l-4.9,4.9,1.269,1.225,7-7-7-7L11.752,7.2l4.856,4.9H5.977Z\" transform=\"translate(-5.977 -5.977)\" \/>\n\t\t<\/svg>\n\t\tCredits\t<\/button>\n\t<div class=\"credits-overlay\" role=\"dialog\">\n\t\t<h3 class=\"h1\">Credits<\/h3>\n\t\t<div class=\"credits-list\">\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-2048x1366.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/Convergence-900x600.jpg 900w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Alkan Avc\u0131o\u011flu<br>\nSymphony No. 1 in D Major, Op. 3, Presto: \u201cConver\u00adgence\u201d, 2023<br>\nAus der Serie Overpo\u00adpu\u00adlated Sympho\u00adnies,&nbsp;2023<br>\nArchiv\u00adpig\u00adment\u00addruck auf Baumwoll\u00adpa\u00adpier 67,6 x 101,6 cm (Druck) 72 x 105 cm (Rahmen)<br>\nEd. 5 + 2&nbsp;AP<br>\nCourtesy der K\u00fcnstler und Fellowship<br>\n\u00a9 Alkan Avc\u0131o\u011flu<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"69\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-100x69.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-100x69.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-300x206.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-1024x705.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-768x529.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-1536x1057.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-2048x1410.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/1_OM_-Sammelstelle-1992_Kunstverein-Hamburg_2014_-Foto-Fred-Dott\uf022Kunstverein-VG-Bild-Kunst-Bonn-872x600.jpg 872w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Olaf Metzel, <em>Sammel\u00adstelle<\/em>, 1992, metal, variable dimen\u00adsions, Instal\u00adla\u00adtion view, Kunst\u00adverein Hamburg, 2014, Courtesy of the artist, \u00a9 VG Bild-Kunst, Bonn, Photo: Fred Dott\/ Kunstverein<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"75\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web-100x75.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web-100x75.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web-300x225.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web-1024x768.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web-768x576.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web-800x600.jpg 800w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/MIC2019003G0018_web.jpg 1500w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Cristina De Middel, <em>Hierve el Agua are petrified water\u00adfalls and sulfuric spring source located in the state of Oaxaca. Despite the growing affluence of tourists, it remains a sacred place for natives. Mexico<\/em>, 2019, \u00a9 Cristina De Middel\/Magnum Photos<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"133\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-100x133.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-100x133.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-225x300.jpg 225w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-768x1024.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-1152x1536.jpg 1152w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-1536x2048.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-450x600.jpg 450w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-300x400.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/Draiflessen_Snelling_3902_1-scaled.jpg 1920w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Tracey Snelling, <em>One Thousand Shacks<\/em>, 2016, mixed media instal\u00adla\u00adtion with video, 475 x 310 x 40 cm, Instal\u00adla\u00adtion view, <em>Spaces Embodied<\/em>, 2024, Courtesy of the artist, \u00a9 Draif\u00adlessen Collec\u00adtion, Mettingen, Photo: Henning Rogge<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-2048x1365.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/02\/One-Million-German-Passports-900x600.jpg 900w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Alfredo Jaar, <em>One Million German Passports<\/em>, 2023, Laminated glass, safety glass, passports, 250 x 700 x 700 cm, Instal\u00adla\u00adtion view, Pinako\u00adthek der Moderne, Munich, 2023, Courtesy of the artist, Pinako\u00adthek der Moderne and Galerie Thomas Schulte, Berlin, Photo: Ulrike Myrzik<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"56\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--100x56.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--100x56.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1024x576.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--768x432.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1536x864.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi--1067x600.jpg 1067w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/LAX_2024_HAYMAT_still3-300-ppi-.jpg 1920w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Atiye Noreen Lax, Video\u00ads\u00adtill aus <em>Haymat<\/em>, 2024<br>\nEinkanal-Video 13 min, Courtesy die K\u00fcnst\u00adlerin, \u00a9 Atiye Noreen Lax<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"56\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-100x56.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-100x56.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-1024x576.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-768x432.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-1536x864.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-2048x1152.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2025\/10\/THE_SONG__BANI_ABIDI_POSTER_1.56.1-1067x600.jpg 1067w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Bani Abidi<br>\nVideo\u00ads\u00adtills aus The Song,&nbsp;2022<br>\nEinkanal-Video<br>\n22:36&nbsp;min<br>\nCourtesy die K\u00fcnstlerin<br>\n\u00a9 Bani&nbsp;Abidi<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-container-1 wp-block-group alignfull has-gray-background-color has-background\">\n<h2>Infos<\/h2>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis:66.66%\">\n<p>How do people in the 21st century define home? Has home as a geogra\u00adphical location become obsolete? How do people conti\u00adnu\u00adally form new, inclusive, and collec\u00adtive&nbsp;homes?<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>The contro\u00adver\u00adsial concept of home embodies a longing and a search that charac\u00adte\u00adrizes our digitized and globa\u00adlized societies. The spectrum of reasons for voluntary and invol\u00adun\u00adtary migration has long since become blurred, and constant change and ongoing processes of forming a sense of home have become the basis of society. The central question is whether and how mobile and flexible people can find a home in these turbulent social struc\u00adtures. Houses, cities, lands\u00adcapes and countries, places of childhood, family and friends, religion, language, music and food, or digital platforms and social networks \u2013 homes can take many different forms. With an eye to the future, Tell Me Where Home Is examines these develo\u00adp\u00adments in the global mirror of 21st-century art, in which numerous artists ask urgent questions about home, migration and belonging.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\">\n<p><em>Curator<\/em><br>Uta Ruhkamp <br><br><em>Curato\u00adrial Assistant<\/em><br>Linus Jantzen and Anne&nbsp;Rybka<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n<h2>Press<\/h2>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<blockquote class=\"wp-block-quote\"><p><\/p><\/blockquote>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<blockquote class=\"wp-block-quote\"><p><\/p><\/blockquote>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<blockquote class=\"wp-block-quote\"><p><\/p><\/blockquote>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis:66.66%\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>How do people in the 21st century define home? Has home as a geogra\u00adphical location become obsolete? How do people conti\u00adnu\u00adally form new, inclusive, and collec\u00adtive&nbsp;homes? How do people in the 21st century define home? Has home as a geogra\u00adphical location become obsolete? How do people conti\u00adnu\u00adally form new, inclusive, and collec\u00adtive&nbsp;homes? Infos<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","meta":{"wp_typography_post_enhancements_disabled":false,"kunstmuseum_formatted_page_title":"Tell Me Where Home Is","exhibition_title":"Tell Me Where Home Is","exhibition_subtitle":"","exhibition_alternative_text":"","exhibition_start_date":"2026-09-19T14:37:00","exhibition_end_date":"2027-01-17T14:37:00","exhibition_gallery":"[31954,32817,32007,32819,32815,32005,31958]","exhibition_poster":0},"tags":[690],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tell Me Where Home Is - Kunstmuseum Wolfsburg<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/tell-me-where-home-is\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tell Me Where Home Is - Kunstmuseum Wolfsburg\" \/>\n<meta property=\"og:description\" content=\"How do people in the 21st century define home? Has home as a geogra\u00adphical location become obsolete? How do people conti\u00adnu\u00adally form new, inclusive, and collec\u00adtive&nbsp;homes? How do people in the 21st century define home? Has home as a geogra\u00adphical location become obsolete? How do people conti\u00adnu\u00adally form new, inclusive, and collec\u00adtive&nbsp;homes? 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