{"id":5780,"date":"2014-11-15T15:26:00","date_gmt":"2014-11-15T14:26:00","guid":{"rendered":"http:\/\/kunstmuseum.mscg-it.de\/?post_type=exhibition&#038;p=5780"},"modified":"2021-02-24T15:11:20","modified_gmt":"2021-02-24T14:11:20","slug":"realsurreal-masterpieces-of-avant-garde-photography-das-neue-sehen-1920-1950-siegert-collection","status":"publish","type":"exhibition","link":"https:\/\/www.kunstmuseum.de\/en\/exhibition\/realsurreal-masterpieces-of-avant-garde-photography-das-neue-sehen-1920-1950-siegert-collection\/","title":{"rendered":"RealSurreal. Masterpieces of Avant-Garde Photography. Das Neue Sehen 1920\u20131950. Siegert Collection"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Installationviews<\/h2>\n\n\n<div class=\"wp-block-exhibition-slider alignfull \"><div class=\"exhibition-slider\">\r\n\t<div class=\"swiper-container\">\r\n\t\t<div class=\"swiper-wrapper\">\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"885\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-885x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-885x600.jpg 885w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-300x203.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-1024x694.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-768x521.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-100x68.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337.jpg 1062w\" sizes=\"(max-width: 885px) 100vw, 885px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n\t<button class=\"button-arrow open-credits-overlay\">\r\n\t\t<svg viewBox=\"0 0 14 14\">\r\n\t\t\t<path d=\"M5.977,13.852H16.608l-4.9,4.9,1.269,1.225,7-7-7-7L11.752,7.2l4.856,4.9H5.977Z\" transform=\"translate(-5.977 -5.977)\"\/>\r\n\t\t<\/svg>\r\n\t\tCredits\t<\/button>\r\n\t<div class=\"credits-overlay\" role=\"dialog\">\r\n\t\t<h3 class=\"h1\">Credits<\/h3>\r\n\t\t<div class=\"credits-list\">\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Blick in die Ausstellung RealSurreal. Meisterwerke der Avantgarde-Fotografie. Das Neue Sehen 1920 \u2013 1950. Sammlung Siegert, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Blick in die Ausstellung RealSurreal. Meisterwerke der Avantgarde-Fotografie. Das Neue Sehen 1920 \u2013 1950. Sammlung Siegert, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Blick in die Ausstellung RealSurreal. Meisterwerke der Avantgarde-Fotografie. Das Neue Sehen 1920 \u2013 1950. Sammlung Siegert, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Blick in die Ausstellung RealSurreal. Meisterwerke der Avantgarde-Fotografie. Das Neue Sehen 1920 \u2013 1950. Sammlung Siegert, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"68\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-100x68.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-100x68.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-300x203.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-1024x694.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-768x521.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-885x600.jpg 885w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337.jpg 1062w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Blick in die Ausstellung RealSurreal. Meisterwerke der Avantgarde-Fotografie. Das Neue Sehen 1920 \u2013 1950. Sammlung Siegert, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div>\n\n\n<div class=\"wp-block-group alignfull has-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Info<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Is a photograph a true-to-life reproduction of reality, or is it merely a staged image? This year \u2212 the 175th anniversary of the invention of photography \u2212 the Kunstmuseum Wolfsburg responds to this question with a comprehensive survey of avant-garde photography between 1920 and 1950. The exhibition &#8220;RealSurreal&#8221; will present around 200 masterpieces from the eminent Siegert Collection in Munich. This collection, which has never been shown in its entirety, contains photographs from the Neues Sehen (New Vision) movement, covering everything from New Objectivity to Surrealism in Germany, France, and Czechoslovakia.<\/p>\n\n\n\n<!--more mehr-->\n\n\n\n<h2 class=\"wp-block-heading\">The Artists<\/h2>\n\n\n\n<p>Eug\u00e8ne Atget \u2013 Herbert Bayer \u2013 Hans Bellmer \u2013 Aenne Biermann \u2013 Brassa\u00ef \u2013 Franti\u0161ek Dr\u00adtikol \u2013 Jarom\u00edr Funke \u2013 Florence Henri \u2013 Andr\u00e9 Kert\u00e9sz \u2013 Germaine Krull \u2013 Herbert List \u2013 Man Ray \u2013 L\u00e1szl\u00f3 Moholy-Nagy \u2013 Albert Renger-Patzsch \u2013 August Sander \u2013 Josef Sudek \u2013 Maurice Tabard \u2013 Raoul Ubac \u2013 Umbo \u2013 Wols and others<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Das Neue Sehen (New Vision)<\/h2>\n\n\n\n<p>Notions about photography\u2019s visual veracity are as old as the art itself. As early as the nineteenth century there were arguments as to whether or not photography &#8211; with its mechanical ability to record \u2018reality\u2019 &#8211; was better suited to portray life more comprehensively and truthfully than other visual arts of the period. An inevitable reaction to what were considered photography\u2019s shortcomings was Pictorialism, which approached photography according to the conventions of painting, in an attempt to lend it more artistic credibility. But around 1920 a new generation of international photographers began reconsidering the specific characteristics of photography as tools for developing it into a more modern method of appropriating reality. Rapid progress in technologising modern society affected the adoption of and attitudes toward photography: convenient cameras that used rolls of film came onto the market in greater numbers, making it easy for even the greenest of amateurs to take photographs. Photographs were increasingly used as illustrations in mass media, and in advertising, leading to a rising demand for accomplished images and professional image makers. These developments also changed the public\u2019s visual habits, so that the New Vision arose as an expression of the perception of this new media-fabricated reality. Positions ranged from the precise recordings of what was seen in portrait and industrial photography, via the use of new framings and perspectives at the Bauhaus, all the way to the photomontage and technical experiments such as the photogram and solarisation, as well as Surrealism\u2019s staged images.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Mechanical Eye<\/h2>\n\n\n\n<p>Photographers of the Neue Sachlichkeit (New Objectivity) movement wanted to show the world as it was. For Albert Renger-Patzsch, photography was the \u201cmost dependable tool\u201d for objectively reproducing the visible things of this world, especially the results of modern technology, and in this respect, it was superior to the subjective perception of the human eye. L\u00e1szl\u00f3 Moholy-Nagy went a step further, with his famous verdict that \u201cthe illiterate of the future will be the person ignorant of the use of the camera as well as the pen.\u201d To the camera he attributed the crucial function of technically expanding human perception. Whilst adequately depicting machines, mass society, and modern metropolitan life: \u201cthe photographic apparatus can perfect or supplement our optical instrument, the eye.\u201d Unusual aspects and viewpoints led to striking images.<\/p>\n\n\n\n<p>From a bird\u2019s-eye perspective, buildings and streets became compositions made up of lines and planes, while a low-angle shot could create an unforeseen dynamic and greatly enlarging an object resulted in magical dissociations.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Real and the Surreal<\/h2>\n\n\n\n<p>Ultimately, the Surrealists identified in the \u201crealistic\u201d recording tool of photography yet another artistic means of \u201c\u00e9criture automatique,\u201d which Andr\u00e9 Breton also described as \u201cthought photography.\u201d Beneath the surface of visible things the irrational, the magical, and the contradictory could be discovered and explored. Documentary photographers such as Eug\u00e8ne Atget and Karl Blossfeldt became inspirational figures in this movement. Their work was printed in the Surrealist magazines, because a plant, staged and isolated in a photograph, could trigger all kinds of magical associations beyond its botanical context. Meanwhile manipulated and staged photographs benefitted from the truthfulness of \u201cthis is the way it was,\u201d since they could only reinforce their mysterious statements. One of Surrealism\u2019s most important artistic means &#8211; the combinatory creation (including, of course, the photomontage) &#8211; was particularly effective because heterogeneous visual elements were joined to form new, surprising contexts of meaning. Like Brassa\u00ef\u2019s photographs of a nocturnal Paris, Karel Teige\u2019s collages have a surreal quality which can also be found in a different form in Man Ray\u2019s dreamlike photograms. Both staged photography and &#8211; with many experiments with photographic techniques, such as multiple exposures, negative printing, and solarisation &#8211; strove to achieve the melding of dream and reality, a goal postulated by Breton in his first Surrealist manifesto. In New Vision photography this could generally result in images that could \u201cgo either way,\u201d depending on the viewpoint of the real\/surreal photographer and observer; they could be seen as sober, objective reproductions of the visible world, or as imaginary, subjective reflections of reality.<\/p>\n\n\n\n<p>The exhibition &#8220;RealSurreal&#8221; leads the visitor through Neues Sehen in Germany, Surrealism in Paris, and the avant-garde in Prague, alongside themes such as portraits, nudes, objects, architecture, and experimental. Opening with a prologue of exemplary nineteenth-century photographs which are compared and contrasted with Neues Sehen, one can literally experience the Neues Sehen in the Kunstmuseum Wolfsburg via rare original prints by notable photographers, while rediscovering the broad spectrum and complexity of photographs from real to surreal. Besides approximately 200 photographs, the exhibition contains historical photography books and magazines, as well as rare artists\u2019 books and examples of avant-garde cover design, making it possible to experience this new view of the world.<\/p>\n\n\n\n<p>&#8220;RealSurreal&#8221; also features several famous clips from key films by Luis Bu\u00f1uel, L\u00e1szl\u00f3 Moholy-Nagy, Hans Richter, and others, shown continuously in a 45-minute loop, which highlight the fruitful interplay between avant-garde photography and the-then contemporary cinema. Important photographs and photo installations by Nobuyoshi Araki, Gilbert &amp; George, Paul Graham, Andreas Gursky, Cindy Sherman, Jeff Wall, and James Welling, from the Kunstmuseum Wolfsburg\u2019s collection, will also demonstrate that the artistic questions posed by Neues Sehen are still relevant today.<\/p>\n\n\n\n<p>In cooperation with the Internationales Filmfestival Braunschweig the Kunstmuseum Wolfsburg shows the four-part film program \u201cThe Magic Eye\u201d. An extensive program, inspired by the exhibition &#8220;RealSurreal&#8221; will be screened as part of the festival (<a href=\"http:\/\/www.filmfest-braunschweig.de\/\">WWW.FILMFEST-BRAUNSCHWEIG.DE<\/a>).<\/p>\n\n\n\n<p>The exhibition catalogue, containing essays by Anton\u00edn Dufek, Bj\u00f6rn Egging, Ivo Kranzfelder, Ulrich Pohlmann, and Bernd Stiegler, will be published by the Wienand Verlag. Available for 28 \u20ac in the Museum Shop.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Videos<\/h2>\n\n\n\t\t<div class=\"wp-block-magazine alignfull \">\r\n\t\t\t<div class=\"magazine\" data-rest-baseuri=\"https:\/\/www.kunstmuseum.de\/en\/wp-json\/\">\r\n\t\t\t<article id=\"post-36962\" data-post-id=\"36962\" class=\"post-36962 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-aicha-khorchid-das-meer-ist-nicht-blau tag-francois-jacob-auf-der-buehne-des-ungefaehren tag-tell-me-where-home-is tag-volkswagen-group-art4all\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/11\/volkswagen-group-art4all-im-november-eine-musikalische-begegnung-mit-nevin-aladags-resonator\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"725\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-1024x725.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-1024x725.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-300x213.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-768x544.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-847x600.jpg 847w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-100x71.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01.jpg 1152w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/aicha-khorchid-das-meer-ist-nicht-blau\/\" rel=\"tag\" class=\"button button-small\">A\u00efcha Khorchid. Das Meer ist nicht blau<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/francois-jacob-auf-der-buehne-des-ungefaehren\/\" rel=\"tag\" class=\"button button-small\">Fran\u00e7ois Jacob. Auf der B\u00fchne des Ungef\u00e4hren<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/tell-me-where-home-is\/\" rel=\"tag\" class=\"button button-small\">Tell Me Where Home Is<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/volkswagen-group-art4all\/\" rel=\"tag\" class=\"button button-small\">Volkswagen Group Art4All<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/11\/volkswagen-group-art4all-im-november-eine-musikalische-begegnung-mit-nevin-aladags-resonator\/\" rel=\"bookmark\">Volkswagen Group Art4All im November: Eine musikalische Begegnung mit Nevin Alada\u011fs Resonator<\/a><\/h3>\n\n\t<\/article><!-- #post-36962 -->\n<article id=\"post-36864\" data-post-id=\"36864\" class=\"post-36864 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/enjoy-the-art-das-kunstmuseum-wolfsburg-zu-gast-im-phaeno\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-1024x683.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-2048x1365.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-100x67.jpg 100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/enjoy-the-art-das-kunstmuseum-wolfsburg-zu-gast-im-phaeno\/\" rel=\"bookmark\"><span class=\"highlighted-title-part\">Enjoy the Art<\/span>: Das Kunstmuseum Wolfsburg zu Gast im phaeno<\/a><\/h3>\n\n\t<\/article><!-- #post-36864 -->\n<article id=\"post-36861\" data-post-id=\"36861\" class=\"post-36861 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-kunstvermittlung tag-open-area tag-tell-me-where-home-is\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/junge-perspektiven-und-starkes-engagement-der-november-in-der-open-area\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"886\" height=\"532\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/11\/DENG-ROJ-EM-\u2013-Filmscreening-Artist-Talk-mit-Dilan-Z.-Capan.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/11\/DENG-ROJ-EM-\u2013-Filmscreening-Artist-Talk-mit-Dilan-Z.-Capan.png 886w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/11\/DENG-ROJ-EM-\u2013-Filmscreening-Artist-Talk-mit-Dilan-Z.-Capan-300x180.png 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/11\/DENG-ROJ-EM-\u2013-Filmscreening-Artist-Talk-mit-Dilan-Z.-Capan-768x461.png 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/11\/DENG-ROJ-EM-\u2013-Filmscreening-Artist-Talk-mit-Dilan-Z.-Capan-100x60.png 100w\" sizes=\"(max-width: 886px) 100vw, 886px\" \/>\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/kunstvermittlung\/\" rel=\"tag\" class=\"button button-small\">Kunstvermittlung<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/open-area\/\" rel=\"tag\" class=\"button button-small\">Open Area<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/tell-me-where-home-is\/\" rel=\"tag\" class=\"button button-small\">Tell Me Where Home Is<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/junge-perspektiven-und-starkes-engagement-der-november-in-der-open-area\/\" rel=\"bookmark\">Junge Perspektiven und starkes Engagement: Der November in der Open Area<\/a><\/h3>\n\n\t<\/article><!-- #post-36861 -->\n<article id=\"post-36818\" data-post-id=\"36818\" class=\"post-36818 post type-post status-publish format-standard has-post-thumbnail hentry category-aicha-khorchid-das-meer-ist-nicht-blau category-francois-jacob-auf-der-buehne-des-ungefaehren tag-aicha-khorchid-das-meer-ist-nicht-blau tag-eroeffnung tag-francois-jacob-auf-der-buehne-des-ungefaehren\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/eroeffnung-francois-jacob-auf-der-buehne-des-ungefaehren-und-aicha-khorchid-das-meer-ist-nicht-blau\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Header_FB_640x360.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Header_FB_640x360.jpg 640w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Header_FB_640x360-300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Header_FB_640x360-100x56.jpg 100w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/>\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/aicha-khorchid-das-meer-ist-nicht-blau\/\" rel=\"tag\" class=\"button button-small\">A\u00efcha Khorchid. Das Meer ist nicht blau<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/eroeffnung\/\" rel=\"tag\" class=\"button button-small\">Er\u00f6ffnung<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/francois-jacob-auf-der-buehne-des-ungefaehren\/\" rel=\"tag\" class=\"button button-small\">Fran\u00e7ois Jacob. Auf der B\u00fchne des Ungef\u00e4hren<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/eroeffnung-francois-jacob-auf-der-buehne-des-ungefaehren-und-aicha-khorchid-das-meer-ist-nicht-blau\/\" rel=\"bookmark\">Er\u00f6ffnung <span class=\"highlighted-title-part\">Fran\u00e7ois Jacob. Auf der B\u00fchne des Ungef\u00e4hren und A\u00efcha Khorchid. Das Meer ist nicht blau<\/span><\/a><\/h3>\n\n\t<\/article><!-- #post-36818 -->\n<article id=\"post-36786\" data-post-id=\"36786\" class=\"post-36786 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-institut-fuer-zukuenfte tag-kunstvermittlung tag-open-area tag-tell-me-where-home-is\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/neue-perspektiven-gemeinsame-zukuenfte-der-oktober-in-der-open-area\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-1024x683.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-1024x683.png 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-300x200.png 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-768x512.png 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-1536x1024.png 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-2048x1365.png 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-900x600.png 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-100x67.png 100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/institut-fuer-zukuenfte\/\" rel=\"tag\" class=\"button button-small\">institut f\u00fcr zuk\u00fcnfte<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/kunstvermittlung\/\" rel=\"tag\" class=\"button button-small\">Kunstvermittlung<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/open-area\/\" rel=\"tag\" class=\"button button-small\">Open Area<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/tell-me-where-home-is\/\" rel=\"tag\" class=\"button button-small\">Tell Me Where Home Is<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/neue-perspektiven-gemeinsame-zukuenfte-der-oktober-in-der-open-area\/\" rel=\"bookmark\">Neue Perspektiven, gemeinsame Zuk\u00fcnfte: Der Oktober in der Open Area<\/a><\/h3>\n\n\t<\/article><!-- #post-36786 -->\n<article id=\"post-36572\" data-post-id=\"36572\" class=\"post-36572 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-tell-me-where-home-is\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/jetzt-ansehen-unser-ausstellungsfilm-zu-tell-me-where-home-is\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-1024x683.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-1536x1025.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-2048x1366.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-100x67.jpg 100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/tell-me-where-home-is\/\" rel=\"tag\" class=\"button button-small\">Tell Me Where Home Is<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/jetzt-ansehen-unser-ausstellungsfilm-zu-tell-me-where-home-is\/\" rel=\"bookmark\">Jetzt ansehen: Unser Ausstellungsfilm zu <span class=\"highlighted-title-part\">Tell Me Where Home Is<\/span><\/a><\/h3>\n\n\t<\/article><!-- #post-36572 -->\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t","protected":false},"excerpt":{"rendered":"<p>Installationviews Is a photograph a true-to-life reproduction of reality, or is it merely a staged image? This year \u2212 the 175th anniversary of the invention of photography \u2212 the Kunstmuseum Wolfsburg responds to this question with a comprehensive survey of avant-garde photography between 1920 and 1950. The exhibition &#8220;RealSurreal&#8221; will present around 200 masterpieces from [&hellip;]<\/p>\n","protected":false},"featured_media":5586,"menu_order":0,"template":"","meta":{"kunstmuseum_formatted_page_title":"","exhibition_title":"RealSurreal","exhibition_subtitle":"Masterpieces of Avant-Garde Photography. Das Neue Sehen 1920\u20131950. Siegert Collection","exhibition_alternative_text":"November 15, 2014 \u2013 April 6, 2015","exhibition_start_date":"2014-11-15T10:47:00","exhibition_end_date":"2015-04-06T10:47:00","exhibition_gallery":"[6566,6568,6570,6572,6561]","exhibition_poster":5383},"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>RealSurreal. Masterpieces of Avant-Garde Photography. Das Neue Sehen 1920\u20131950. Siegert Collection - Kunstmuseum Wolfsburg<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/realsurreal-masterpieces-of-avant-garde-photography-das-neue-sehen-1920-1950-siegert-collection\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RealSurreal. Masterpieces of Avant-Garde Photography. Das Neue Sehen 1920\u20131950. Siegert Collection - Kunstmuseum Wolfsburg\" \/>\n<meta property=\"og:description\" content=\"Installationviews Is a photograph a true-to-life reproduction of reality, or is it merely a staged image? This year \u2212 the 175th anniversary of the invention of photography \u2212 the Kunstmuseum Wolfsburg responds to this question with a comprehensive survey of avant-garde photography between 1920 and 1950. 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