{"id":5780,"date":"2014-11-15T15:26:00","date_gmt":"2014-11-15T14:26:00","guid":{"rendered":"http:\/\/kunstmuseum.mscg-it.de\/?post_type=exhibition&#038;p=5780"},"modified":"2021-02-24T15:11:20","modified_gmt":"2021-02-24T14:11:20","slug":"realsurreal-masterpieces-of-avant-garde-photography-das-neue-sehen-1920-1950-siegert-collection","status":"publish","type":"exhibition","link":"https:\/\/www.kunstmuseum.de\/en\/exhibition\/realsurreal-masterpieces-of-avant-garde-photography-das-neue-sehen-1920-1950-siegert-collection\/","title":{"rendered":"RealSurreal. Masterpieces of Avant-Garde Photography. Das Neue Sehen 1920\u20131950. Siegert Collection"},"content":{"rendered":"\n<h2>Installationviews<\/h2>\n\n\n<div class=\"wp-block-exhibition-slider alignfull \"><div class=\"exhibition-slider\">\n\t<div class=\"swiper-container\">\n\t\t<div class=\"swiper-wrapper\">\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"885\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-885x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-885x600.jpg 885w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-300x203.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-1024x694.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-768x521.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-100x68.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337.jpg 1062w\" sizes=\"(max-width: 885px) 100vw, 885px\">\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n\t<button class=\"button-arrow open-credits-overlay\">\n\t\t<svg viewBox=\"0 0 14 14\">\n\t\t\t<path d=\"M5.977,13.852H16.608l-4.9,4.9,1.269,1.225,7-7-7-7L11.752,7.2l4.856,4.9H5.977Z\" transform=\"translate(-5.977 -5.977)\" \/>\n\t\t<\/svg>\n\t\tCredits\t<\/button>\n\t<div class=\"credits-overlay\" role=\"dialog\">\n\t\t<h3 class=\"h1\">Credits<\/h3>\n\t\t<div class=\"credits-list\">\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-009-A4.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Blick in die Ausstel\u00adlung RealSur\u00adreal. Meister\u00adwerke der Avant\u00adgarde-Fotografie. Das Neue Sehen 1920 \u2013 1950. Sammlung Siegert, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-018-A4.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Blick in die Ausstel\u00adlung RealSur\u00adreal. Meister\u00adwerke der Avant\u00adgarde-Fotografie. Das Neue Sehen 1920 \u2013 1950. Sammlung Siegert, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-001-A4.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Blick in die Ausstel\u00adlung RealSur\u00adreal. Meister\u00adwerke der Avant\u00adgarde-Fotografie. Das Neue Sehen 1920 \u2013 1950. Sammlung Siegert, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/141111-KMW-mkp-035-A4.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Blick in die Ausstel\u00adlung RealSur\u00adreal. Meister\u00adwerke der Avant\u00adgarde-Fotografie. Das Neue Sehen 1920 \u2013 1950. Sammlung Siegert, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"68\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-100x68.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-100x68.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-300x203.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-1024x694.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-768x521.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337-885x600.jpg 885w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/realsurreal-video-e1602230846337.jpg 1062w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Blick in die Ausstel\u00adlung RealSur\u00adreal. Meister\u00adwerke der Avant\u00adgarde-Fotografie. Das Neue Sehen 1920 \u2013 1950. Sammlung Siegert, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-container-1 wp-block-group alignfull has-gray-background-color has-background\"><div class=\"wp-block-group__inner-container\">\n<h2>Info<\/h2>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis:66.66%\">\n<p>Is a photo\u00adgraph a true-to-life repro\u00adduc\u00adtion of reality, or is it merely a staged image? This year \u2212 the 175th anniver\u00adsary of the invention of photo\u00adgraphy \u2212 the Kunst\u00admu\u00adseum Wolfsburg responds to this question with a compre\u00adhen\u00adsive survey of avant-garde photo\u00adgraphy between 1920 and 1950. The exhibi\u00adtion \u201cRealSur\u00adreal\u201d will present around 200 master\u00adpieces from the eminent Siegert Collec\u00adtion in Munich. This collec\u00adtion, which has never been shown in its entirety, contains photo\u00adgraphs from the Neues Sehen (New Vision) movement, covering everything from New Objec\u00adti\u00advity to Surrea\u00adlism in Germany, France, and Czechoslovakia.<\/p>\n\n\n\n<!--more mehr-->\n\n\n\n<h2>The Artists<\/h2>\n\n\n\n<p>Eug\u00e8ne Atget \u2013 Herbert Bayer \u2013 Hans Bellmer \u2013 Aenne Biermann \u2013 Brassa\u00ef \u2013 Franti\u0161ek Dr\u00adtikol \u2013 Jarom\u00edr Funke \u2013 Florence Henri \u2013 Andr\u00e9 Kert\u00e9sz \u2013 Germaine Krull \u2013 Herbert List \u2013 Man Ray \u2013 L\u00e1szl\u00f3 Moholy-Nagy \u2013 Albert Renger-Patzsch \u2013 August Sander \u2013 Josef Sudek \u2013 Maurice Tabard \u2013 Raoul Ubac \u2013 Umbo \u2013 Wols and others<\/p>\n\n\n\n<h2>Das Neue Sehen (New Vision)<\/h2>\n\n\n\n<p>Notions about photography\u2019s visual veracity are as old as the art itself. As early as the nineteenth century there were arguments as to whether or not photo\u00adgraphy \u2013 with its mecha\u00adnical ability to record \u2018reality\u2019 \u2013 was better suited to portray life more compre\u00adhen\u00adsi\u00advely and truth\u00adfully than other visual arts of the period. An inevi\u00adtable reaction to what were consi\u00addered photography\u2019s short\u00adco\u00admings was Picto\u00adria\u00adlism, which approa\u00adched photo\u00adgraphy according to the conven\u00adtions of painting, in an attempt to lend it more artistic credi\u00adbi\u00adlity. But around 1920 a new genera\u00adtion of inter\u00adna\u00adtional photo\u00adgraphers began recon\u00adsi\u00adde\u00adring the specific charac\u00adte\u00adris\u00adtics of photo\u00adgraphy as tools for develo\u00adping it into a more modern method of appro\u00adpria\u00adting reality. Rapid progress in techno\u00adlo\u00adgi\u00adsing modern society affected the adoption of and attitudes toward photo\u00adgraphy: conve\u00adnient cameras that used rolls of film came onto the market in greater numbers, making it easy for even the greenest of amateurs to take photo\u00adgraphs. Photo\u00adgraphs were incre\u00ada\u00adsingly used as illus\u00adtra\u00adtions in mass media, and in adver\u00adti\u00adsing, leading to a rising demand for accom\u00adplished images and profes\u00adsional image makers. These develo\u00adp\u00adments also changed the public\u2019s visual habits, so that the New Vision arose as an expres\u00adsion of the percep\u00adtion of this new media-fabri\u00adcated reality. Positions ranged from the precise record\u00adings of what was seen in portrait and indus\u00adtrial photo\u00adgraphy, via the use of new framings and perspec\u00adtives at the Bauhaus, all the way to the photo\u00admon\u00adtage and technical experi\u00adments such as the photogram and solari\u00adsa\u00adtion, as well as Surrealism\u2019s staged images.<\/p>\n\n\n\n<h2>The Mechanical Eye<\/h2>\n\n\n\n<p>Photo\u00adgraphers of the Neue Sachlich\u00adkeit (New Objec\u00adti\u00advity) movement wanted to show the world as it was. For Albert Renger-Patzsch, photo\u00adgraphy was the \u201cmost depen\u00addable tool\u201d for objec\u00adtively repro\u00addu\u00adcing the visible things of this world, especially the results of modern techno\u00adlogy, and in this respect, it was superior to the subjec\u00adtive percep\u00adtion of the human eye. L\u00e1szl\u00f3 Moholy-Nagy went a step further, with his famous verdict that \u201cthe illite\u00adrate of the future will be the person ignorant of the use of the camera as well as the pen.\u201d To the camera he attri\u00adbuted the crucial function of techni\u00adcally expanding human percep\u00adtion. Whilst adequa\u00adtely depicting machines, mass society, and modern metro\u00adpo\u00adlitan life: \u201cthe photo\u00adgra\u00adphic apparatus can perfect or supple\u00adment our optical instru\u00adment, the eye.\u201d Unusual aspects and viewpoints led to striking images.<\/p>\n\n\n\n<p>From a bird\u2019s\u2011eye perspec\u00adtive, buildings and streets became compo\u00adsi\u00adtions made up of lines and planes, while a low-angle shot could create an unfore\u00adseen dynamic and greatly enlarging an object resulted in magical dissociations.<\/p>\n\n\n\n<h2>The Real and the Surreal<\/h2>\n\n\n\n<p>Ultimately, the Surrea\u00adlists identi\u00adfied in the \u201crealistic\u201d recording tool of photo\u00adgraphy yet another artistic means of \u201c\u00e9criture automa\u00adtique,\u201d which Andr\u00e9 Breton also described as \u201cthought photo\u00adgraphy.\u201d Beneath the surface of visible things the irrational, the magical, and the contra\u00addic\u00adtory could be disco\u00advered and explored. Documen\u00adtary photo\u00adgraphers such as Eug\u00e8ne Atget and Karl Bloss\u00adfeldt became inspi\u00adra\u00adtional figures in this movement. Their work was printed in the Surrea\u00adlist magazines, because a plant, staged and isolated in a photo\u00adgraph, could trigger all kinds of magical associa\u00adtions beyond its botanical context. Meanwhile manipu\u00adlated and staged photo\u00adgraphs benefitted from the truth\u00adful\u00adness of \u201cthis is the way it was,\u201d since they could only reinforce their myste\u00adrious state\u00adments. One of Surrealism\u2019s most important artistic means \u2013 the combi\u00adna\u00adtory creation (including, of course, the photo\u00admon\u00adtage) \u2013 was parti\u00adcu\u00adlarly effective because hetero\u00adge\u00adneous visual elements were joined to form new, surpri\u00adsing contexts of meaning. Like Brassa\u00ef\u2019s photo\u00adgraphs of a nocturnal Paris, Karel Teige\u2019s collages have a surreal quality which can also be found in a different form in Man Ray\u2019s dreamlike photo\u00adgrams. Both staged photo\u00adgraphy and \u2013 with many experi\u00adments with photo\u00adgra\u00adphic techni\u00adques, such as multiple exposures, negative printing, and solari\u00adsa\u00adtion \u2013 strove to achieve the melding of dream and reality, a goal postu\u00adlated by Breton in his first Surrea\u00adlist manifesto. In New Vision photo\u00adgraphy this could generally result in images that could \u201cgo either way,\u201d depending on the viewpoint of the real\/surreal photo\u00adgra\u00adpher and observer; they could be seen as sober, objective repro\u00adduc\u00adtions of the visible world, or as imaginary, subjec\u00adtive reflec\u00adtions of reality.<\/p>\n\n\n\n<p>The exhibi\u00adtion \u201cRealSur\u00adreal\u201d leads the visitor through Neues Sehen in Germany, Surrea\u00adlism in Paris, and the avant-garde in Prague, alongside themes such as portraits, nudes, objects, archi\u00adtec\u00adture, and experi\u00admental. Opening with a prologue of exemplary nineteenth-century photo\u00adgraphs which are compared and contrasted with Neues Sehen, one can literally experi\u00adence the Neues Sehen in the Kunst\u00admu\u00adseum Wolfsburg via rare original prints by notable photo\u00adgraphers, while redis\u00adco\u00advering the broad spectrum and comple\u00adxity of photo\u00adgraphs from real to surreal. Besides appro\u00adxi\u00admately 200 photo\u00adgraphs, the exhibi\u00adtion contains histo\u00adrical photo\u00adgraphy books and magazines, as well as rare artists\u2019 books and examples of avant-garde cover design, making it possible to experi\u00adence this new view of the&nbsp;world.<\/p>\n\n\n\n<p>\u201cRealSur\u00adreal\u201d also features several famous clips from key films by Luis Bu\u00f1uel, L\u00e1szl\u00f3 Moholy-Nagy, Hans Richter, and others, shown conti\u00adnuously in a 45-minute loop, which highlight the fruitful interplay between avant-garde photo\u00adgraphy and the-then contem\u00adporary cinema. Important photo\u00adgraphs and photo instal\u00adla\u00adtions by Nobuyoshi Araki, Gilbert &amp; George, Paul Graham, Andreas Gursky, Cindy Sherman, Jeff Wall, and James Welling, from the Kunst\u00admu\u00adseum Wolfsburg\u2019s collec\u00adtion, will also demons\u00adtrate that the artistic questions posed by Neues Sehen are still relevant today.<\/p>\n\n\n\n<p>In coope\u00adra\u00adtion with the Inter\u00adna\u00adtio\u00adnales Filmfes\u00adtival Braun\u00adschweig the Kunst\u00admu\u00adseum Wolfsburg shows the four-part film program \u201cThe Magic Eye\u201d. An extensive program, inspired by the exhibi\u00adtion \u201cRealSur\u00adreal\u201d will be screened as part of the festival (<a href=\"http:\/\/www.filmfest-braunschweig.de\/\">WWW.FILMFEST-BRAUNSCHWEIG.DE<\/a>).<\/p>\n\n\n\n<p>The exhibi\u00adtion catalogue, contai\u00adning essays by Anton\u00edn Dufek, Bj\u00f6rn Egging, Ivo Kranz\u00adfelder, Ulrich Pohlmann, and Bernd Stiegler, will be published by the Wienand Verlag. Available for 28 \u20ac in the Museum Shop.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h2>Videos<\/h2>\n\n\n\t\t<div class=\"wp-block-magazine alignfull \">\n\t\t\t<div class=\"magazine\" data-rest-baseuri=\"https:\/\/www.kunstmuseum.de\/en\/wp-json\/\">\n\t\t\t<article id=\"post-34214\" data-post-id=\"34214\" class=\"post-34214 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-news\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/04\/hinweis-zu-bauarbeiten-am-hollerplatz\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/08\/200511_KMW_by_Kruszewski_0787-1024x683.jpg\" class=\"attachment-large size-large wp-post-image\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/08\/200511_KMW_by_Kruszewski_0787-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/08\/200511_KMW_by_Kruszewski_0787-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/08\/200511_KMW_by_Kruszewski_0787-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/08\/200511_KMW_by_Kruszewski_0787-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/08\/200511_KMW_by_Kruszewski_0787-2048x1365.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/08\/200511_KMW_by_Kruszewski_0787-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/08\/200511_KMW_by_Kruszewski_0787-100x67.jpg 100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/news\/\" rel=\"tag\" class=\"button button-small\">News<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/04\/hinweis-zu-bauarbeiten-am-hollerplatz\/\" rel=\"bookmark\">Hinweis zu Bauarbeiten am Hollerplatz<\/a><\/h3>\n\n\t<\/article><!-- #post-34214 -->\n<article id=\"post-34102\" data-post-id=\"34102\" class=\"post-34102 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-fellowship tag-kunstvermittlung\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/04\/transformativ-softe-raeume-ein-erfahrungsraum-im-kunstmuseum-wolfsburg\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/Till-Mattmueller-transformativ-softe-raeume-77-1024x683.jpg\" class=\"attachment-large size-large wp-post-image\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/Till-Mattmueller-transformativ-softe-raeume-77-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/Till-Mattmueller-transformativ-softe-raeume-77-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/Till-Mattmueller-transformativ-softe-raeume-77-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/Till-Mattmueller-transformativ-softe-raeume-77-1536x1025.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/Till-Mattmueller-transformativ-softe-raeume-77-2048x1366.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/Till-Mattmueller-transformativ-softe-raeume-77-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/Till-Mattmueller-transformativ-softe-raeume-77-100x67.jpg 100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/fellowship\/\" rel=\"tag\" class=\"button button-small\">Fellow\u00adship<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/kunstvermittlung\/\" rel=\"tag\" class=\"button button-small\">Kunst\u00adver\u00admitt\u00adlung<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/04\/transformativ-softe-raeume-ein-erfahrungsraum-im-kunstmuseum-wolfsburg\/\" rel=\"bookmark\">transformativ softe r\u00e4ume \u2013 Ein Erfahrungsraum im Kunstmuseum Wolfsburg<\/a><\/h3>\n\n\t<\/article><!-- #post-34102 -->\n<article id=\"post-33927\" data-post-id=\"33927\" class=\"post-33927 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-julian-charriere tag-kunstvermittlung tag-volkswagen-group-art4all\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/04\/volkswagen-group-art4all-im-april-rohstoffe-aus-der-tiefe-zwischen-forschung-und-ausbeutung\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img width=\"1024\" height=\"725\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2024\/01\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-1024x725.jpg\" class=\"attachment-large size-large wp-post-image\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2024\/01\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-1024x725.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2024\/01\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-300x213.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2024\/01\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-768x544.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2024\/01\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-847x600.jpg 847w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2024\/01\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-100x71.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2024\/01\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01.jpg 1152w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/julian-charriere\/\" rel=\"tag\" class=\"button button-small\">Julian Charri\u00e8re<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/kunstvermittlung\/\" rel=\"tag\" class=\"button button-small\">Kunst\u00adver\u00admitt\u00adlung<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/volkswagen-group-art4all\/\" rel=\"tag\" class=\"button button-small\">Volks\u00adwagen Group Art4All<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/04\/volkswagen-group-art4all-im-april-rohstoffe-aus-der-tiefe-zwischen-forschung-und-ausbeutung\/\" rel=\"bookmark\">Volkswagen Group Art4All im April: Rohstoffe aus der Tiefe zwischen Forschung und Ausbeutung<\/a><\/h3>\n\n\t<\/article><!-- #post-33927 -->\n<article id=\"post-33411\" data-post-id=\"33411\" class=\"post-33411 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-kulturquartier tag-kunstvermittlung\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/04\/oster-rallye-2026-im-kulturquartier-wolfsburg-ein-familiennachmittag-voller-entdeckungen\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/PW1_8950-1024x683.jpg\" class=\"attachment-large size-large wp-post-image\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/PW1_8950-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/PW1_8950-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/PW1_8950-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/PW1_8950-1536x1025.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/PW1_8950-2048x1366.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/PW1_8950-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/04\/PW1_8950-100x67.jpg 100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/kulturquartier\/\" rel=\"tag\" class=\"button button-small\">kultur\u00adquar\u00adtier<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/kunstvermittlung\/\" rel=\"tag\" class=\"button button-small\">Kunst\u00adver\u00admitt\u00adlung<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/04\/oster-rallye-2026-im-kulturquartier-wolfsburg-ein-familiennachmittag-voller-entdeckungen\/\" rel=\"bookmark\">Oster-Rallye im kulturquartier Wolfsburg begeistert Familien<\/a><\/h3>\n\n\t<\/article><!-- #post-33411 -->\n<article id=\"post-33832\" data-post-id=\"33832\" class=\"post-33832 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-julian-charriere\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/03\/in-die-tiefe-eintauchen-julian-charriere-im-kunstmuseum-wolfsburg\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260319_Kunstmuseum_Wolfsburg_J_Charriere_\u00a9_Marek_Kruszewski_0118-1024x683.jpg\" class=\"attachment-large size-large wp-post-image\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260319_Kunstmuseum_Wolfsburg_J_Charriere_\u00a9_Marek_Kruszewski_0118-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260319_Kunstmuseum_Wolfsburg_J_Charriere_\u00a9_Marek_Kruszewski_0118-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260319_Kunstmuseum_Wolfsburg_J_Charriere_\u00a9_Marek_Kruszewski_0118-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260319_Kunstmuseum_Wolfsburg_J_Charriere_\u00a9_Marek_Kruszewski_0118-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260319_Kunstmuseum_Wolfsburg_J_Charriere_\u00a9_Marek_Kruszewski_0118-2048x1366.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260319_Kunstmuseum_Wolfsburg_J_Charriere_\u00a9_Marek_Kruszewski_0118-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260319_Kunstmuseum_Wolfsburg_J_Charriere_\u00a9_Marek_Kruszewski_0118-100x67.jpg 100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/julian-charriere\/\" rel=\"tag\" class=\"button button-small\">Julian Charri\u00e8re<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/03\/in-die-tiefe-eintauchen-julian-charriere-im-kunstmuseum-wolfsburg\/\" rel=\"bookmark\">In die Tiefe eintauchen: Julian Charri\u00e8re im Kunstmuseum Wolfsburg<\/a><\/h3>\n\n\t<\/article><!-- #post-33832 -->\n<article id=\"post-33282\" data-post-id=\"33282\" class=\"post-33282 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-julian-charriere tag-kunstvermittlung tag-volkswagen-group-art4all\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/03\/volkswagen-group-art4all-im-maerz-sound-trifft-poesie\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260325_Kunstmuseum_Wolfsburg_Julian_Charriere_Midnight_Zone_\u00a9\ufe0fMartin_Ly-7997-1024x683.jpg\" class=\"attachment-large size-large wp-post-image\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260325_Kunstmuseum_Wolfsburg_Julian_Charriere_Midnight_Zone_\u00a9\ufe0fMartin_Ly-7997-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260325_Kunstmuseum_Wolfsburg_Julian_Charriere_Midnight_Zone_\u00a9\ufe0fMartin_Ly-7997-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260325_Kunstmuseum_Wolfsburg_Julian_Charriere_Midnight_Zone_\u00a9\ufe0fMartin_Ly-7997-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260325_Kunstmuseum_Wolfsburg_Julian_Charriere_Midnight_Zone_\u00a9\ufe0fMartin_Ly-7997-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260325_Kunstmuseum_Wolfsburg_Julian_Charriere_Midnight_Zone_\u00a9\ufe0fMartin_Ly-7997-2048x1365.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260325_Kunstmuseum_Wolfsburg_Julian_Charriere_Midnight_Zone_\u00a9\ufe0fMartin_Ly-7997-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/03\/20260325_Kunstmuseum_Wolfsburg_Julian_Charriere_Midnight_Zone_\u00a9\ufe0fMartin_Ly-7997-100x67.jpg 100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/julian-charriere\/\" rel=\"tag\" class=\"button button-small\">Julian Charri\u00e8re<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/kunstvermittlung\/\" rel=\"tag\" class=\"button button-small\">Kunst\u00adver\u00admitt\u00adlung<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/volkswagen-group-art4all\/\" rel=\"tag\" class=\"button button-small\">Volks\u00adwagen Group Art4All<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/03\/volkswagen-group-art4all-im-maerz-sound-trifft-poesie\/\" rel=\"bookmark\">\u00dcber 500 Besucher*innen beim ersten Volkswagen Group Art4All zur neuen Ausstellung<\/a><\/h3>\n\n\t<\/article><!-- #post-33282 -->\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Instal\u00adla\u00adti\u00adon\u00adviews Is a photo\u00adgraph a true-to-life repro\u00adduc\u00adtion of reality, or is it merely a staged image? This year \u2212 the 175th anniver\u00adsary of the invention of photo\u00adgraphy \u2212 the Kunst\u00admu\u00adseum Wolfsburg responds to this question with a compre\u00adhen\u00adsive survey of avant-garde photo\u00adgraphy between 1920 and 1950. The exhibi\u00adtion \u201cRealSur\u00adreal\u201d will present around 200 master\u00adpieces from&nbsp;[\u2026]<\/p>\n","protected":false},"featured_media":5586,"menu_order":0,"template":"","meta":{"wp_typography_post_enhancements_disabled":false,"kunstmuseum_formatted_page_title":"","exhibition_title":"RealSurreal","exhibition_subtitle":"Masterpieces of Avant-Garde Photography. Das Neue Sehen 1920\u20131950. Siegert Collection","exhibition_alternative_text":"November 15, 2014 \u2013 April 6, 2015","exhibition_start_date":"2014-11-15T10:47:00","exhibition_end_date":"2015-04-06T10:47:00","exhibition_gallery":"[6566,6568,6570,6572,6561]","exhibition_poster":5383},"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>RealSurreal. Masterpieces of Avant-Garde Photography. Das Neue Sehen 1920\u20131950. Siegert Collection - Kunstmuseum Wolfsburg<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/realsurreal-masterpieces-of-avant-garde-photography-das-neue-sehen-1920-1950-siegert-collection\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RealSurreal. Masterpieces of Avant-Garde Photography. Das Neue Sehen 1920\u20131950. Siegert Collection - Kunstmuseum Wolfsburg\" \/>\n<meta property=\"og:description\" content=\"Installationviews Is a photo\u00adgraph a true-to-life repro\u00adduc\u00adtion of reality, or is it merely a staged image? This year \u2212 the 175th anniver\u00adsary of the invention of photo\u00adgraphy \u2212 the Kunst\u00admu\u00adseum Wolfsburg responds to this question with a compre\u00adhen\u00adsive survey of avant-garde photo\u00adgraphy between 1920 and 1950. 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