{"id":5796,"date":"2016-04-24T16:42:00","date_gmt":"2016-04-24T14:42:00","guid":{"rendered":"http:\/\/kunstmuseum.mscg-it.de\/?post_type=exhibition&#038;p=5796"},"modified":"2021-02-24T14:32:47","modified_gmt":"2021-02-24T13:32:47","slug":"wolfsburg-unlimited-a-city-as-world-laboratory","status":"publish","type":"exhibition","link":"https:\/\/www.kunstmuseum.de\/en\/exhibition\/wolfsburg-unlimited-a-city-as-world-laboratory\/","title":{"rendered":"Wolfsburg Unlimited. A City as World Laboratory"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Installationviews<\/h2>\n\n\n<div class=\"wp-block-exhibition-slider alignfull \"><div class=\"exhibition-slider\">\r\n\t<div class=\"swiper-container\">\r\n\t\t<div class=\"swiper-wrapper\">\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"878\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007-878x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007-878x600.jpg 878w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007-300x205.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007-1024x700.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007-768x525.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007-100x68.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007.jpg 1400w\" sizes=\"(max-width: 878px) 100vw, 878px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n\t<button class=\"button-arrow open-credits-overlay\">\r\n\t\t<svg viewBox=\"0 0 14 14\">\r\n\t\t\t<path d=\"M5.977,13.852H16.608l-4.9,4.9,1.269,1.225,7-7-7-7L11.752,7.2l4.856,4.9H5.977Z\" transform=\"translate(-5.977 -5.977)\"\/>\r\n\t\t<\/svg>\r\n\t\tCredits\t<\/button>\r\n\t<div class=\"credits-overlay\" role=\"dialog\">\r\n\t\t<h3 class=\"h1\">Credits<\/h3>\r\n\t\t<div class=\"credits-list\">\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"68\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007-100x68.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007-100x68.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007-300x205.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007-1024x700.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007-768x525.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007-878x600.jpg 878w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160614-KMW-0007.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Ausstellung <em>Wolfsburg Unlimited<\/em> \u2013 Blick in das Kapitel: Hall of Fame, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/13-Nudnik-011-R.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p><p>Blick in die Ausstellung <em>Wolfsburg Unlimited<\/em>,<\/p>\n<p>Rauminstallation von R\u00e9my Markowitsch<\/p>\n<p><em>Nudnik. Forgetting Josef Ganz<em>, 2016 \u00a9 Courtesy Galerie Eigen+Art, Foto: Marek Kruszewski<\/p><\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2016\/04\/160906-KMW-00058-HQ.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Teil der Ausstellung <em>Wolfsburg Unlimited, Projekt Hollerhafen<\/em>, 2016, Foto: Marek Kruszewki<\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div>\n\n\n<div class=\"wp-block-group alignfull has-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Info<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Whether in real life or in art\u2014the most important thing is that changes start with ourselves, on our own doorsteps, in our immediate surroundings. For this reason the first large exhibition to be put on by Director Dr. Ralf Beil named \u201cWolfsburg Unlimited\u201d will address the location of Wolfsburg. The title very deliberately connects entrepreneurial and creative energy, the positioning and the dissolution of boundaries.<\/p>\n\n\n\n<!--more mehr-->\n\n\n\n<p>What is a city? What distinguishes it? What can it be? Ralf Beil has not only asked himself these questions but also posed them to a circle of selected international artists in order to explore interpretations and metamorphoses of Wolfsburg. Seven large-scale projects created especially for the exhibition reflect the city in the museum, thus making the \u201ccity as world laboratory\u201d tangible.<\/p>\n\n\n\n<p>For the first time the entire museum will serve as exhibition spaces, from the entrance and foyers to the educational rooms and the Japan Garden. In Julian Rosefeldt\u2019s total installation in the 16-meters high exhibition hall a container terminal encounters a drive-in movie theater in a scale of 1:1. John Bock has built a material field with film inserts on the architect Hans Scharoun and his Theater Wolfsburg. The photo installations by Eva Leitolf and Peter Bialobrzeski are juxtaposed with a room ensemble by R\u00e9my Markowitsch. A black and white fresco by Didier Rittener as well as a sound window by Nevin Aladag rounds off together with a carousel by Janet Cardiff und George Bures Miller this expansive and multifaceted exploration of city, work, world and museum.<\/p>\n\n\n\n<p>\u201cWolfsburg Unlimited\u201d is concerned with sounding out this very special city\u2019s stories and histories as well as its (im)possibilities. It will explore the distinctive axes of space and time in this corporation headquarter with adjacent housing facilities that was founded in 1938 as the \u201cCity of the KdF [Strength through Joy] Car\u201d\u2014from the garden city of the 1940s, the agglomerations and satellite towns of the 1960s and 1970s to the Porschestra\u00dfe pedestrian zone of the 1970s and 1980s and the event city with Autostadt, outlet stores and ph\u00e6no Science Center since 2000.<\/p>\n\n\n\n<p>Wolfsburg represents the realities of modernism as well as the present in a very special way. The \u201cCapital of Volkswagen,\u201d headquarters of a global corporation, is an exemplary site of the latter half of the twentieth century and our own twenty-first century, especially as regards the tension between industrialization, mobilization and digitalization, between mass and individual, between local and global action.<\/p>\n\n\n\n<p>In order to shed light on these thematic fields, the exhibition extends beyond the artist projects to include further, equally central aspects with \u201cReady-mades\u201d from the areas of film, music, architecture, art and the history of daily life and culture.<\/p>\n\n\n\n<p>A \u201cHall of Fame\u201d spans the history of Wolfsburg from 10,000 B.C. to the present with the stories of striking objects. Thematic gallery spaces explore the \u201cModel City Wolfsburg,\u201d \u201cMuseum King Nordhoff\u201d as well as \u201cVW\u2014The Archeology of a Myth\u201d and examine the exemplary reality of a city, about which the filmmaker Christian Petzold said in 2003: \u201cIn no city have I encountered the history of the Federal Republic of Germany in such a concentrated form on the periphery. If things are going badly for VW, then things are going badly for Germany \u2026 At the same time it is a place of incredible modernity and productivity.\u201d<\/p>\n\n\n\n<p>\u201cWolfsburg Unlimited. A City as World Laboratory\u201d attempts to rethink Wolfsburg from an artistic perspective: as a testing ground for our present and future with powerful and sometimes perplexing messages from the past.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Participating Artists<\/h2>\n\n\n\n<p>Franz Ackermann, Nevin Aladag, Christian Andersson, Peter Bia\u00adlobrzeski, John Bock, Janet Cardiff \/ George Bures Miller, Christo, Don Eddy, Douglas Gordon, Heinrich Heidersberger, Peter Keetman, Anselm Kiefer, Pia Lanzinger, Eva Leitolf, R\u00e9my Mar\u00adkowitsch, Marcel Odenbach, Arnold Odermatt, Nam June Paik, Antoine Pesne, Peter Roehr, Didier Rittener, Julian Rosefeldt, Werner Schroeter, Luc Tuymans, James Welling, Charles Wilp.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Publication<\/h2>\n\n\n\n<p>The catalogue \u201cWolfsburg Unlimited. A City as World Laboratory,\u201d edited by Ralf Beil and published by Verlag Hatje Cantz, unites essays by Ralf Beil, Marcel Glaser, Manfred Grieger, Stephan Krass, Alexander Klose, Alexander Kraus, G\u00fcnter Riederer et al. Interviews by Christiane Heuwinkel and R\u00e9my Markowitsch in addition to documentations of the artist projects and curated sections expand the horizon even further. And artist texts by Peter Bialobrzeski, John Bock and Eva Leitolf as well as source material by Michel Foucault, Josef Ganz, Sigfried Giedion, Adolf Hitler, Heinrich Nordhoff und Peter Sloterdijk make the publication a very different kind of compendium on the city of Wolfsburg. Hardcover, 23 x 28 cm, 352 pages, price in the museum shop: \u20ac 35.<\/p>\n\n\n\n<p>Parallel to the exhibition, Peter Bialobrzeski\u2019s \u201cWolfsburg Diary\u201d with entries by the photographer has been published by The Velvet Cell. Paperback, 14 x 21 cm, 102 pages, price in the museum shop: \u20ac 12.<\/p>\n\n\n\n<p>Julian Rosefeldt\u2019s total installation \u201cMidwest,\u201d which interlocks container terminal and drive-in movie theater in the large exhibition hall of the Kunstmuseum Wolfsburg will be presented in a separate publication with in-situ photographs and a making-of documentation over the course of the exhibition.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Our Sponsors<\/h2>\n\n\n\n<p>The exhibition is supported by Volkswagen Financial Services AG, the city of Wolfsburg, the Nieders\u00e4chsische Sparkassenstiftung, the Sparkasse Gifhorn-Wolfsburg and Pro Helvetia.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n\n\n\n<div>\n<div class=\"wp-block-kunstmuseum-partner\"><div class=\"partner-title\"><span>Partner<\/span><\/div><div class=\"partner-images\"><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Videos<\/h2>\n\n\n\t\t<div class=\"wp-block-magazine alignfull \">\r\n\t\t\t<div class=\"magazine\" data-rest-baseuri=\"https:\/\/www.kunstmuseum.de\/en\/wp-json\/\">\r\n\t\t\t<article id=\"post-36962\" data-post-id=\"36962\" class=\"post-36962 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-aicha-khorchid-das-meer-ist-nicht-blau tag-francois-jacob-auf-der-buehne-des-ungefaehren tag-tell-me-where-home-is tag-volkswagen-group-art4all\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/11\/volkswagen-group-art4all-im-november-eine-musikalische-begegnung-mit-nevin-aladags-resonator\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"725\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-1024x725.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-1024x725.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-300x213.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-768x544.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-847x600.jpg 847w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01-100x71.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/260213_KMW_Art4All_RoadSideScreen_1152x816px_01.jpg 1152w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/aicha-khorchid-das-meer-ist-nicht-blau\/\" rel=\"tag\" class=\"button button-small\">A\u00efcha Khorchid. Das Meer ist nicht blau<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/francois-jacob-auf-der-buehne-des-ungefaehren\/\" rel=\"tag\" class=\"button button-small\">Fran\u00e7ois Jacob. Auf der B\u00fchne des Ungef\u00e4hren<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/tell-me-where-home-is\/\" rel=\"tag\" class=\"button button-small\">Tell Me Where Home Is<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/volkswagen-group-art4all\/\" rel=\"tag\" class=\"button button-small\">Volkswagen Group Art4All<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/11\/volkswagen-group-art4all-im-november-eine-musikalische-begegnung-mit-nevin-aladags-resonator\/\" rel=\"bookmark\">Volkswagen Group Art4All im November: Eine musikalische Begegnung mit Nevin Alada\u011fs Resonator<\/a><\/h3>\n\n\t<\/article><!-- #post-36962 -->\n<article id=\"post-36864\" data-post-id=\"36864\" class=\"post-36864 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/enjoy-the-art-das-kunstmuseum-wolfsburg-zu-gast-im-phaeno\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-1024x683.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-2048x1365.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Fischli_Weiss_Der-Lauf-der-Dinge_1987_Kunstmuseum-Wolfsburg_\u00a9-Peter-Fischli-und-David-Weiss-Estate_01-100x67.jpg 100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/enjoy-the-art-das-kunstmuseum-wolfsburg-zu-gast-im-phaeno\/\" rel=\"bookmark\"><span class=\"highlighted-title-part\">Enjoy the Art<\/span>: Das Kunstmuseum Wolfsburg zu Gast im phaeno<\/a><\/h3>\n\n\t<\/article><!-- #post-36864 -->\n<article id=\"post-36861\" data-post-id=\"36861\" class=\"post-36861 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-kunstvermittlung tag-open-area tag-tell-me-where-home-is\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/junge-perspektiven-und-starkes-engagement-der-november-in-der-open-area\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"886\" height=\"532\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/11\/DENG-ROJ-EM-\u2013-Filmscreening-Artist-Talk-mit-Dilan-Z.-Capan.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/11\/DENG-ROJ-EM-\u2013-Filmscreening-Artist-Talk-mit-Dilan-Z.-Capan.png 886w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/11\/DENG-ROJ-EM-\u2013-Filmscreening-Artist-Talk-mit-Dilan-Z.-Capan-300x180.png 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/11\/DENG-ROJ-EM-\u2013-Filmscreening-Artist-Talk-mit-Dilan-Z.-Capan-768x461.png 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/11\/DENG-ROJ-EM-\u2013-Filmscreening-Artist-Talk-mit-Dilan-Z.-Capan-100x60.png 100w\" sizes=\"(max-width: 886px) 100vw, 886px\" \/>\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/kunstvermittlung\/\" rel=\"tag\" class=\"button button-small\">Kunstvermittlung<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/open-area\/\" rel=\"tag\" class=\"button button-small\">Open Area<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/tell-me-where-home-is\/\" rel=\"tag\" class=\"button button-small\">Tell Me Where Home Is<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/junge-perspektiven-und-starkes-engagement-der-november-in-der-open-area\/\" rel=\"bookmark\">Junge Perspektiven und starkes Engagement: Der November in der Open Area<\/a><\/h3>\n\n\t<\/article><!-- #post-36861 -->\n<article id=\"post-36818\" data-post-id=\"36818\" class=\"post-36818 post type-post status-publish format-standard has-post-thumbnail hentry category-aicha-khorchid-das-meer-ist-nicht-blau category-francois-jacob-auf-der-buehne-des-ungefaehren tag-aicha-khorchid-das-meer-ist-nicht-blau tag-eroeffnung tag-francois-jacob-auf-der-buehne-des-ungefaehren\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/eroeffnung-francois-jacob-auf-der-buehne-des-ungefaehren-und-aicha-khorchid-das-meer-ist-nicht-blau\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Header_FB_640x360.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Header_FB_640x360.jpg 640w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Header_FB_640x360-300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Header_FB_640x360-100x56.jpg 100w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/>\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/aicha-khorchid-das-meer-ist-nicht-blau\/\" rel=\"tag\" class=\"button button-small\">A\u00efcha Khorchid. Das Meer ist nicht blau<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/eroeffnung\/\" rel=\"tag\" class=\"button button-small\">Er\u00f6ffnung<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/francois-jacob-auf-der-buehne-des-ungefaehren\/\" rel=\"tag\" class=\"button button-small\">Fran\u00e7ois Jacob. Auf der B\u00fchne des Ungef\u00e4hren<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/eroeffnung-francois-jacob-auf-der-buehne-des-ungefaehren-und-aicha-khorchid-das-meer-ist-nicht-blau\/\" rel=\"bookmark\">Er\u00f6ffnung <span class=\"highlighted-title-part\">Fran\u00e7ois Jacob. Auf der B\u00fchne des Ungef\u00e4hren und A\u00efcha Khorchid. Das Meer ist nicht blau<\/span><\/a><\/h3>\n\n\t<\/article><!-- #post-36818 -->\n<article id=\"post-36786\" data-post-id=\"36786\" class=\"post-36786 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-institut-fuer-zukuenfte tag-kunstvermittlung tag-open-area tag-tell-me-where-home-is\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/neue-perspektiven-gemeinsame-zukuenfte-der-oktober-in-der-open-area\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-1024x683.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-1024x683.png 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-300x200.png 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-768x512.png 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-1536x1024.png 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-2048x1365.png 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-900x600.png 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/10\/Querformat_Digital_mit_Veranstaltungsdetails-2-100x67.png 100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/institut-fuer-zukuenfte\/\" rel=\"tag\" class=\"button button-small\">institut f\u00fcr zuk\u00fcnfte<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/kunstvermittlung\/\" rel=\"tag\" class=\"button button-small\">Kunstvermittlung<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/open-area\/\" rel=\"tag\" class=\"button button-small\">Open Area<\/a><a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/tell-me-where-home-is\/\" rel=\"tag\" class=\"button button-small\">Tell Me Where Home Is<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/neue-perspektiven-gemeinsame-zukuenfte-der-oktober-in-der-open-area\/\" rel=\"bookmark\">Neue Perspektiven, gemeinsame Zuk\u00fcnfte: Der Oktober in der Open Area<\/a><\/h3>\n\n\t<\/article><!-- #post-36786 -->\n<article id=\"post-36572\" data-post-id=\"36572\" class=\"post-36572 post type-post status-publish format-standard has-post-thumbnail hentry category-unkategorisiert tag-tell-me-where-home-is\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/jetzt-ansehen-unser-ausstellungsfilm-zu-tell-me-where-home-is\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-1024x683.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-1536x1025.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-2048x1366.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2026\/09\/20260918_Kunstmuseum_Wolfsburg_\u00a9_Marek_Kruszewski_0734-1-100x67.jpg 100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/tell-me-where-home-is\/\" rel=\"tag\" class=\"button button-small\">Tell Me Where Home Is<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2026\/10\/jetzt-ansehen-unser-ausstellungsfilm-zu-tell-me-where-home-is\/\" rel=\"bookmark\">Jetzt ansehen: Unser Ausstellungsfilm zu <span class=\"highlighted-title-part\">Tell Me Where Home Is<\/span><\/a><\/h3>\n\n\t<\/article><!-- #post-36572 -->\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\n\n\n<div class=\"wp-block-group alignfull has-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Press Comments<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<blockquote class=\"wp-block-quote\"><p><strong>Eine Lehre bleibt &#8211; Geschichte hat kein Verfallsdatum<br><\/strong>Die erfrischende Ausstellung \u201eWolfsburg Unlimited\u201d hat das Geschichtsverst\u00e4ndnis manch Wolfsburgers irritiert, wenn nicht ersch\u00fcttert.<\/p><cite>Thomas Kruse, Wolfsburger Nachrichten, 04.11.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eViel [\u2026] Dystopie schwingt im zentralen Werk der Schau, einer Gro\u00dfinstallation von Julian Rosefeldt, der gekonnt alle Register der \u00e4sthetischen \u00dcberw\u00e4ltigung zieht. [\u2026] Ringsherum hat der Kurator Beil eine inspirierte, stellenweise detailversessene Ausstellung gebaut, die geschickt zwischen Dokumentation (etwa die Geschichte des ersten VW-Patriarchen Heinrich Nordhoff) und Stadt-Fiktion (zum Beispiel John Bocks Dada-Film-Raum-Installation zu Hans Scharouns Wolfsburger Theater) pendelt. Das hier entworfene Wolfsburg-Bild hat Beulen und Schrammen \u2013 aber gl\u00e4nzen tut es irgendwie auch.\u201c<\/p><cite>Kito Nedo, art Magazin, 01.07.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eKunstmuseum Wolfsburg, am Ende der Fu\u00dfg\u00e4ngerzone. Moderne, Gegenwartskunst, Andy Warhol, Anselm Kiefer, Neo Rauch; eine Sensation f\u00fcr eine Mittelstadt mit gerade mal 123.000 Einwohnern. Ralf Beil, der neue Direktor, hat hier zu Beginn seiner Amtszeit eine fulminante Ausstellung zusammengestellt. &#8220;Wolfsburg Unlimited&#8221; erz\u00e4hlt die Geschichte der Stadt, die nat\u00fcrlich die Geschichte des Volkswagenkonzerns ist. Und Beil bricht mit der Wolfsburger Tradition des Sch\u00f6nredens, des Verschweigens, auch des Vertuschens von Problemen.\u201c<\/p><cite>Nikolaus Doll, Welt am Sonntag, 26.06.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eMehr als nur VW: \u201eWolfsburg Unlimited\u201c geht der Geschichte der Autostadt auf den Grund.\u201c<\/p><cite>Patrick Weil, arte Journal, 24.05.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eIn der ehemaligen Stadt des KdF-Wagens wird dem K\u00e4fer-Konstrukteur Ferdinand Porsche eine nahezu hymnische und vor allem weitgehend unkritische Bewunderung zuteil. [\u2026] Dem neuen Kunstmuseum-Chef Ralf Beil ist es zu verdanken, dass im Rahmen der Ausstellung auch kritische Beitr\u00e4ge zu den Wolfsburger S\u00e4ulenheiligen Porsche und Heinrich Nordhoff Eingang in die Diskussion finden konnten.\u201c<\/p><cite>Thomas Kruse, Wolfsburger Nachrichten, 25.05.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eBeils K\u00fcnstler beleuchten manch dunkle Seite der Wolfsburger Geschichte und sie reflektieren das Modell Wolfsburg, ja machen es manchmal erst kenntlich: So die Rolle des Autos f\u00fcr die wirtschaftliche Prosperit\u00e4t in Deutschland und den kulturellen \u00dcberbau, den man sich damit leisten kann. [\u2026] schlie\u00dflich ist auch das Kunstmuseum selbst mittelbar das Ergebnis des durch VW erwirtschafteten Wohlstands. Unter den gegebenen Umst\u00e4nden funktioniert dieses private Modell besser als manch derzeit finanziell kurzgehaltenes, \u00f6ffentliches Museum. Das zeigt aktuell auch die anspruchsvolle, aufwendige und opulente Ausstellung zu Wolfsburg.\u201c<\/p><cite>Ronald Berg, Kunstforum International, 20.05.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eWas f\u00fcr eine Ausstellung! 4500 Quadratmeter \u201eWeltlabor\u201c, wie es Museumsdirektor Ralf Beil nennt. Ein echter Coup in diesen Zeiten \u2013 als h\u00e4tte er alles vorausgeahnt. [\u2026] Gibt es Wolfsburg in zwanzig Jahren noch? [\u2026] Wenn nein: Dann sollte man wenigstens diese Ausstellung retten, die so viele Geschichten erz\u00e4hlt. Die, und das ist anders, als es sonst hier immer war, die negativen Kapitel der gro\u00dfen, bunten Wolfsburg-Story nicht ausblendet. [\u2026]. Ralf Beil [\u2026] zeigt Wolfsburg, wie es wirklich ist, war, vielleicht auch erst noch werden soll. H\u00e4sslich, gro\u00dfartig, voller Konflikte, liebenswert, erfolgreich, desillusioniert, skandal\u00f6s, gro\u00dfartig.\u201c<\/p><cite>Ulrich Exner, Die Welt, 02.05.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eMaik\u00e4fer\u201c sollte er hei\u00dfen und modern sollte er sein: 1931 erfand Josef Ganz den ersten Volkswagen [\u2026]. Der Schweizer K\u00fcnstler R\u00e9my Markowitsch hat sich mit der Geschichte von Ganz und VW besch\u00e4ftigt \u2013 als Beitrag zu einer gro\u00dfartigen Ausstellung, die dem Mythos VW und seiner Werksstadt auf den Grund geht.\u201c<\/p><cite>Silke M\u00fcller, STERN, 28.04.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201e\u2026eine Ausstellung, die die Kultur-, Kunst- und Sittengeschichte der VW-Stadt seziert, vom Einbaum, mit dem die Vorfahren der Wolfsburger vor 3000 Jahren das Urstromtal der Aller befuhren, bis zum Bekennervideo von Martin Winterkorn aus dem September 2015, in dem der damalige VW-Chef schwei\u00dfgebadet zugibt, Millionen Kunden betrogen zu haben.\u201c<\/p><cite>Christof Siemes, Die Zeit, 28.04.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eDer neue Direktor des Kunstmuseums Wolfsburg, Ralf Beil, hat eine Ausstellung inszeniert, die viele Besucher sprachlos machen wird. Ein geradezu ausufernder Mix aus Kunstwerken, Dokumenten, Fotografien, Architekturmodellen, Werbekampagnen und Filmen \u2013 rund um die Stadt Wolfsburg und den von ihr dominierten Konzern. [\u2026] Die Ausstellung zeigt mit gro\u00dfartigen und oft beklemmenden Dokumenten, wie sich Wolfsburg von der Modellstadt des Nationalsozialismus zur Musterstadt des Wirtschaftswunders entwickelte, zur Metropole der zumeist italienischen Gastarbeiter, zum Testfeld der Bew\u00e4ltigung von Globalisierungskrisen.\u201c<\/p><cite>Rudolf Schmitz, Deutschlandradio Kultur, 21.04.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eWolfsburg Unlimited\u201c funktioniert auf zwei Ebenen. Den funkelnden k\u00fcnstlerischen Assoziationen und der chronologischen Darstellung, die mitunter genauso bizarre Bl\u00fcten treibt.\u201c<\/p><cite>Simone Reber, SWR2, 21.04.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eJulian Rosefeldts neueste Inszenierung pr\u00e4sentiert sich nicht l\u00e4nger als reine Projektion, sie bekommt ihr eigenes Setting [\u2026,]. Mit echten Autos, echtem Popcorn, echten Betonplatten, zwischen denen k\u00fcmmerliche Gr\u00e4ser sprie\u00dfen. In dem hochartifiziellen Schurkenst\u00fcck des Berliner Videok\u00fcnstlers mit dem bezeichnenden Titel \u201eThe Swap\u201c geht es um Autos, Geld und taktische Man\u00f6ver, gespielt mit der Inbrunst des amerikanischen Kinos. Midwest\u201d, so der Titel des Ensembles, beschreibt mit allegorischen Mitteln ziemlich genau, was gerade in Wolfsburg geschieht in dem gro\u00dfen Abgasskandal. Die \u00fcberw\u00e4ltigende Installation bildet den Mittelpunkt der Gro\u00dfausstellung \u201eWolfsburg Unlimited\u201c\u2026<\/p><cite>Nicola Kuhn, Der Tagesspiegel, 27.04.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eWie l\u00e4sst sich eine Stadt ausstellen? Wie lassen sich Vergangenheit, Gegenwart und Zukunft einer Stadtgeschichte vereint darstellen? Das, was auf den ersten Blick nahezu unm\u00f6glich erscheinen mag, realisiert Ralf Beil, seit 2015 Direktor des Kunstmuseums Wolfsburg. Im Rahmen von \u201eWolfsburg Unlimited. Eine Stadt als Weltlabor\u201c werden erstmals ausnahmslos alle R\u00e4umlichkeiten des Museums bespielt. [\u2026] \u201eWolfsburg Unlimited\u201c entgrenzt und erz\u00e4hlt die Geschichte Wolfsburgs neu\u2026\u201c<\/p><cite>Shantala Sina Branca, www.art-in.de, 27.04.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eDiese Stadt, so legt die Ausstellung nahe, ist beides. Einzigartig und exemplarisch.\u201c<\/p><cite>Verena Lueken, Frankfurter Allgemeine Zeitung, 26.04.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eDass diese Stadt buchst\u00e4blich auf Gedeih und Verderb mit dem Volkswagen-Konzern und seiner NS-Geschichte verbunden ist, wird zu einem \u00fcberraschenden Quell zahlreicher k\u00fcnstlerischer und kuratorischer Inspirationen. [\u2026] Themenr\u00e4ume von R\u00e9my Markowitsch oder Janet Cardiff und George Bures Miller sowie Erweiterungen in den Stadtraum machen diese Ausstellung zu einem furiosen Neubeginn in der Geschichte des Kunstmuseums\u2026\u201c<\/p><cite>Carsten Probst, Deutschlandfunk, 25.04.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eWenn man die Ausstellung verl\u00e4sst, sieht man Wolfsburg mit anderen Augen. Es scheint so, als w\u00e4re die ganze Stadt ein Museum, als w\u00e4re jede Siedlung, jedes Geb\u00e4ude, das hier in den 78 Jahren seit der Stadtgr\u00fcndung entstanden ist, ein Exponat darin.\u201c<\/p><cite>Ulrike Kn\u00f6fel, Der Spiegel, 23.04.2016<\/cite><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201eWolfsburg Unlimited\u201c sprengt die Grenzen der gesicherten Fakten, setzt den Sorgen um die Zukunft von Werk und Stadt Visionen entgegen. Eine maritime Stadt l\u00e4sst Beil im Museumsfoyer entstehen. Gro\u00dfformatige Fotografien zeigen, wie die \u201eSommerschw\u00e4ne\u201c der Autostadt mit ihren G\u00e4sten zum Kunstmuseum, vorbei an Phaeno und Rathaus schwimmen.\u201c<\/p><cite>Hans Karweik, Wolfsburger Nachrichten, 22.04.2016<\/cite><\/blockquote>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Installationviews Whether in real life or in art\u2014the most important thing is that changes start with ourselves, on our own doorsteps, in our immediate surroundings. For this reason the first large exhibition to be put on by Director Dr. Ralf Beil named \u201cWolfsburg Unlimited\u201d will address the location of Wolfsburg. The title very deliberately connects [&hellip;]<\/p>\n","protected":false},"featured_media":5601,"menu_order":0,"template":"","meta":{"kunstmuseum_formatted_page_title":"","exhibition_title":"Wolfsburg Unlimited","exhibition_subtitle":"A City as World Laboratory","exhibition_alternative_text":"April 24, 2016 \u2013 September 11, 2016","exhibition_start_date":"2016-04-24T10:47:00","exhibition_end_date":"2016-09-11T10:47:00","exhibition_gallery":"[6720,6744,6748]","exhibition_poster":5397},"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Wolfsburg Unlimited. 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