{"id":5863,"date":"2018-04-29T15:51:00","date_gmt":"2018-04-29T13:51:00","guid":{"rendered":"http:\/\/kunstmuseum.mscg-it.de\/?post_type=exhibition&#038;p=5863"},"modified":"2021-02-24T13:03:13","modified_gmt":"2021-02-24T12:03:13","slug":"facing-india","status":"publish","type":"exhibition","link":"https:\/\/www.kunstmuseum.de\/en\/exhibition\/facing-india\/","title":{"rendered":"Facing India"},"content":{"rendered":"\n<h2>Installationviews<\/h2>\n\n\n<div class=\"wp-block-exhibition-slider alignfull \"><div class=\"exhibition-slider\">\n\t<div class=\"swiper-container\">\n\t\t<div class=\"swiper-wrapper\">\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"613\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419-613x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419-613x600.jpg 613w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419-300x294.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419-1024x1003.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419-768x752.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419-100x98.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419.jpg 1400w\" sizes=\"(max-width: 613px) 100vw, 613px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"899\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035-899x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035.jpg 1400w\" sizes=\"(max-width: 899px) 100vw, 899px\">\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n\t<button class=\"button-arrow open-credits-overlay\">\n\t\t<svg viewBox=\"0 0 14 14\">\n\t\t\t<path d=\"M5.977,13.852H16.608l-4.9,4.9,1.269,1.225,7-7-7-7L11.752,7.2l4.856,4.9H5.977Z\" transform=\"translate(-5.977 -5.977)\" \/>\n\t\t<\/svg>\n\t\tCredits\t<\/button>\n\t<div class=\"credits-overlay\" role=\"dialog\">\n\t\t<h3 class=\"h1\">Credits<\/h3>\n\t\t<div class=\"credits-list\">\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"98\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419-100x98.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419-100x98.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419-300x294.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419-1024x1003.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419-768x752.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419-613x600.jpg 613w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-419.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>stehend: Reena Saini Kallat, hinten von links: Mithu Sen und Prajakta Potnis. Vorne sitzend von links: Vibha Galhotra und Kuratorin Dr. Uta Ruhkamp, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-506.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Blick in die Ausstel\u00adlung <em>Facing India<\/em>, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180426-KMW-089.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p><\/p><p>Reena Saini Kallat vor ihrer Arbeit <em>Woven Chronicle<\/em>, \u00a9 Courtesy of Reena Kallat Studio und Nature Morte Gallery, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-178.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Mithu Sen in ihrer Arbeit <em>he Same River Twic<\/em>,e \u00a9 Courtesy Kiran Nadar Museum of Art, Neu-Delhi<br>\nFoto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-086.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Vibha Galhotra vor ihrer Arbeit <em>Neo Camou\u00adflage<\/em>, \u00a9 Courtesy of the artist<br>\nFoto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-140.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Reena Saini Kallat in ihrer Instal\u00adla\u00adtion <em>Hyphen\u00adated Lives<\/em>, \u00a9 Courtesy of Reena Kallat Studio<br>\nFoto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035-899x600.jpg 899w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2018\/04\/180425-KMW-035.jpg 1400w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p><\/p><p>Detail\u00adauf\u00adnahme der Arbeit <em>MOU (Museum of Unbelon\u00adgings)<\/em> von Mithu Sen, \u00a9 Courtesy of the artist, Foto: Marek Kruszewski<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-container-1 wp-block-group alignfull has-gray-background-color has-background\"><div class=\"wp-block-group__inner-container\">\n<h2>Info<\/h2>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis:66.66%\">\n<p>How do women artists in India use their voices today? How do they deal with their social respon\u00adsi\u00adbi\u00adlity? Which language do they find for that which remains unsaid? For the first time in Germany, the Kunst\u00admu\u00adseum Wolfsburg is presen\u00adting an exhibi\u00adtion with works by six women artists from India. Vibha Galhotra (b. 1978), Bharti Kher (b. 1969), Prajakta Potnis (b. 1980), Reena Saini Kallat (b. 1973), Mithu Sen (b. 1971), and Tejal Shah (b. 1979) face the reality of India and negotiate this in their works both artis\u00adti\u00adcally and politically.<\/p>\n\n\n\n<!--more mehr-->\n\n\n\n<p>Although women and men have equal legal status, Indian society is profoundly marked by patri\u00adarchy. India finds itself in a state of funda\u00admental social change, yet it remains torn between the poles of tradition and progress \u2014 and in this field of tension, women are still strongly disad\u00advan\u00adtaged. The rapid develo\u00adp\u00adment of urban India thus runs contrary to the living condi\u00adtions in rural areas. Countless ethni\u00adci\u00adties, castes, languages, cultures, religions, and philo\u00adso\u00adphies form an osten\u00adsibly plura\u00adlistic society, in which identity is defined by diffe\u00adren\u00adtia\u00adtion from the respec\u00adtive other. The social structure of India thus reflects that of our global community as a whole, which basically struggles with the same issues.<\/p>\n\n\n\n<p>\u201cFacing India\u201d examines the question of how one\u2019s own national history, present, and future manifest themselves from a female point of view. In their multi\u00admedia works, Vibha Galhotra, Bharti Kher, Prajakta Potnis, Reena Saini Kallat, Mithu Sen, and Tejal Shah shift attention towards histo\u00adrical and contem\u00adporary conflicts. Poetic, metapho\u00adrical, and quiet, but also radical, direct, and loud \u2014 they question borders of all kinds, be these political, terri\u00adto\u00adrial, ecolo\u00adgical, religious, social, personal, or gender-based. The history of these borders, their visibi\u00adlity and invisi\u00adbi\u00adlity, their legiti\u00admacy, and not seldom their disso\u00adlu\u00adtion are the themes of the works presented in \u201cFacing India\u201d. The exhibi\u00adtion focuses on six positions in order to present these more compre\u00adhen\u00adsi\u00advely. Socia\u00adlized and educated in an incre\u00ada\u00adsingly globa\u00adlized world, these women artists no longer limit their \u201cborder controls\u201d solely to India, but rather reach out into other countries and conti\u00adnents. The state, society, and the indivi\u00addual, as well as questions regarding identity and the environ\u00adment, are criti\u00adcally examined. Nevertheless, as broad as their range of topics may be, explicit and implicit references to the presence of the feminine and the position of women, as well as solida\u00adrity and empathy, are recurring themes throughout the exhibition.<\/p>\n\n\n\n<p>\u201cFacing India\u201d was developed out of a conti\u00adnuing dialog with the artists and reflects a kind of collec\u00adtive plea for commu\u00adni\u00adca\u00adtion and the notion of unity in diversity beyond pigeon\u00adhole thinking and caste mentality. The exhibi\u00adtion archi\u00adtec\u00adture incor\u00adpo\u00adrates these ideas. Each of the six artists has her own separate exhibi\u00adtion space, which are arranged to provide clear visual relations to each other. The center of the exhibi\u00adtion is an open commu\u00adni\u00adca\u00adtion forum, which allows the visitor a view in all direc\u00adtions \u2014 both literally and metaphorically.<\/p>\n\n\n\n<h2>Catalog<\/h2>\n\n\n\n<p>The catalog, edited by Ralf Beil and Uta Ruhkamp in separate German and English versions, with a preface by Ralf Beil and an intro\u00adduc\u00adtion by Uta Ruhkamp, essays by Urvashi Butalia, head of the feminist publi\u00adshing house Zubaan, and Roobina Karode, director of the Kiran Nadar Museum of Art in New Delhi and Noida, as well as in-depth inter\u00adviews with all six artists conducted by Uta Ruhkamp. 240 pages with 150 illus\u00adtra\u00adtions, 24 x 31 cm, hardcover, 38 \u20ac in the museum shop.<\/p>\n\n\n\n<h2>Artists<\/h2>\n\n\n\n<p>The works of&nbsp;<strong>Vibha Galhotra<\/strong>&nbsp;(b. 1978) revolve around the question of what it means to work as a visual artist in the Anthropo\u00adcene. Is it possible to address social, ecolo\u00adgical, and political issues such as climate change through artistic practice without having the aesthe\u00adtics of the works draw full attention to the artist and norma\u00adli\u00adzing devas\u00adta\u00adting problems? The object of her inves\u00adti\u00adga\u00adtions are the five elements: water, earth, air, fire, and ether. With an osten\u00adsibly roman\u00adti\u00adci\u00adzing pictorial language, Galhotra addresses problems such as the conta\u00admi\u00adna\u00adtion of the sacred Yamuna River and the concen\u00adtra\u00adtion of parti\u00adcu\u00adlate matter in Delhi, which exceeds all permis\u00adsible values. The anti-pollution mask becomes an everyday article of clothing, alarming climate graphics are trans\u00adformed into a wave of bells reminis\u00adcent of Arte povera, and the cleansing of plants becomes Zen medita\u00adtion. With her works, Vibha Galhotra reacts to human irratio\u00adna\u00adlity in the \u201cAge of Reason.\u201d Their aesthe\u00adti\u00adciz\u00ada\u00adtion of the ecolo\u00adgical catastrophe is simul\u00adta\u00adne\u00adously a strategy of mediation and an ironic refraction.<\/p>\n\n\n\n<p><strong><strong>Bharti Kher<\/strong><\/strong>&nbsp;(b. 1969) is the only artist in the exhibi\u00adtion who was born in the diaspora in London. She has been living in India since 1992 and thus has a dual perspec\u00adtive onto the patri\u00adar\u00adchal society of her country. Her works are born out of the obser\u00adva\u00adtion of her everyday surroundings\u2014objects, articles, and charac\u00adte\u00adristic features\u2014which she recon\u00adtex\u00adtua\u00adlizes as \u201cobjet trouv\u00e9s\u201d or ready-mades. Decisive identi\u00adfying signs of women in India, such as bindis, saris, or bracelets, become artistic media and, despite the absence of the body, suggest the presence of the feminine. Kher\u2019s approach is based not on repro\u00adduc\u00adtion, but rather on sugges\u00adtion. With her works, she addresses classical questions of materials and compo\u00adsi\u00adtion; but as an avowed feminist, she does not shy away from clear, socially critical state\u00adments. Her black \u201cDeaf Room\u201d stands for the muted voices of countless women, while \u201cSix Women\u201d addresses the maltreated bodies of sex workers in Kolkata. Bharti Kher bursts the bounda\u00adries of the tradi\u00adtional image of women in India and allows women to take on multiple identi\u00adties, prefer\u00adably as the stronger sex.<\/p>\n\n\n\n<p><strong><strong>Prajakta Potnis<\/strong><\/strong>&nbsp;(b. 1980), the youngest artist in the exhibi\u00adtion, lends expres\u00adsion to her obser\u00adva\u00adtions of society in an indirect and metapho\u00adrical manner. She under\u00adstands material and physical bounda\u00adries, such as various kinds of walls and skin, as permeable membranes. Which traces do they bear? What penetrates through them, and what influ\u00adences our psyche? Prajakta Potnis makes that visible which grows rampant invisibly in our society, like a virus that infects everyday life. As a starting point for her inquiry, she chooses the place with the strongest female connotation\u2014not only in India\u2014namely the home and especially the kitchen, which fasci\u00adnates her as a conflict zone between tradition and the proli\u00adfe\u00adra\u00adtion of techno\u00adlogy. The dryer, the blender, the refri\u00adgerator, and the freezer become negotia\u00adtion sites for political and ecolo\u00adgical issues, outdated ideolo\u00adgies, social criticism, and questions of identity. The personal becomes political when an atomic mushroom-like caulif\u00adlower suggests genetic manipu\u00adla\u00adtion, the valves of pressure cookers refer, like small grenades, to the feeling of a constant threat of terrorism or the surveil\u00adlance state, or miniature escala\u00adtors in a refri\u00adgerator recall a global \u201cnowhere\u201d of inter\u00adch\u00adan\u00adge\u00adable shopping malls and airports which negate any sense of local identity.<\/p>\n\n\n\n<p>That which separates and that which connects are leitmo\u00adtifs in the work of&nbsp;<strong>Reena Saini Kallat<\/strong>&nbsp;(b. 1973). She is, however, not only interested in disputed terri\u00adto\u00adrial borders, but also in social and psycho\u00adlo\u00adgical barriers. Despite its barbed wire aesthe\u00adtics, her work \u201cWoven Chronicle\u201d\u2014a map of the world composed of electrical cables\u2014which traces global migration routes, stands not only for inter\u00adna\u00adtional border conflicts, but also functions as a metaphor for networks: a manifesto of potential commu\u00adni\u00adca\u00adtion. Fully in line with this, nature in Reena Saini Kallat\u2019s works exempli\u00adfies that which humankind is not capable of, either histo\u00adri\u00adcally or in the present, namely peaceful coexis\u00adtence on an equal footing, a lived pluralism of cultures. With her \u201cHyphen\u00adated Lives\u201d, she thus creates a world of animal and botanical hybrids, comprised of the typical flora and fauna of two states in conflict with each other, be these India and Pakistan or Texas and Mexico. Reena Saini Kallat names the nameless and sees in retro\u00adspec\u00adtion an oppor\u00adtu\u00adnity to look ahead. In \u201cCrease\/Crevice\/Contour\u201d, she does not hesitate to inscribe the female body with the violence suffered during the Indo-Pakistani partition in 1947 as a visible wound and speaks clearly in favor of a culture of memory instead of one of silence.<\/p>\n\n\n\n<p><strong><strong>Mithu Sen<\/strong><\/strong>&nbsp;(b. 1971) makes her own rules and defies catego\u00adriz\u00ada\u00adtion. For her all-encom\u00adpas\u00adsing revolt, she has chosen the prefix \u201cun\u2011,\u201d which simul\u00adta\u00adne\u00adously negates an occur\u00adrence or a statement: (un)becoming, un(home), un(construct), un(mything), and even un(mithu). In her drive to dissolve bounda\u00adries, Mithu Sen breaks down not only language into its component parts, only to piece it back together again. The site of her reflec\u00adtion is the body. In her paintings, drawings, sculp\u00adtures, and instal\u00adla\u00adtions, she overlaps female and male sexual charac\u00adte\u00adris\u00adtics, flowers and fruits, as well as human and animal elements, to create bizarre and shocking hybrids. Univer\u00adsals of human and animal existence, such as hair, bones, or teeth, question not only estab\u00adlished hierar\u00adchies and bounda\u00adries between the sexes, but also those between ethni\u00adci\u00adties, castes, and species. With the radical\u00adness of her visual language, she stridently breaks taboos. Her will to dissolve extends as far as insti\u00adtu\u00adtional criticism. With her \u201cMuseum of Unbelon\u00adgings\u201d (2018), she thus puts forth the idea of a democratic museum of margi\u00adna\u00adlized things, which makes due without labels and hierar\u00adchies. All objects have the same value\u2014a metaphor for an egali\u00adta\u00adrian world without borders.<\/p>\n\n\n\n<p><strong><strong>Tejal Shah<\/strong><\/strong>&nbsp;(b. 1979) repres\u00adents one of the most radical positions within the contem\u00adporary Indian art scene. Her work revolves around the question of the pure essence of existence. She searches for answers in extremely divergent fields, including Buddhism, studies on commu\u00adni\u00adca\u00adtion between humans and animals, and queer-feminist or post-porn theories. In her complex work \u201cBetween the Waves\u201d\u2014a five-channel video instal\u00adla\u00adtion which premiered at the \u201cdocumenta 13\u201d\u2014creatures that appear to have fallen out of time and space explore a primeval and simul\u00adta\u00adne\u00adously undeniably contem\u00adporary world, all the while following their natural instincts, in which they indulge themselves in front of the camera without shame. Unmistakable is her demand for the acknow\u00adled\u00adge\u00adment of a flexible under\u00adstan\u00adding of gender, beyond binary, biolo\u00adgical, and socially construed gender roles. This is reflected in works such as \u201cWomen Like Us\u201d and \u201cI AM\u201d, a portrait gallery of Indian women, whose self-under\u00adstan\u00adding does not corre\u00adspond with conser\u00adva\u00adtive notions of female identity, or \u201cUntitled (On Violence)\u201d, in which she openly addresses the violence of the state against the so-called \u201cthird gender\u201d (hijra). With her works, Tejal Shah provo\u00adca\u00adtively and directly advocates social justice and a society free of taboos and, in doing so, oversteps the bounda\u00adries of activism.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h2>Videos<\/h2>\n\n\n\t\t<div class=\"wp-block-magazine alignfull \">\n\t\t\t<div class=\"magazine\" data-rest-baseuri=\"https:\/\/www.kunstmuseum.de\/en\/wp-json\/\">\n\t\t\t<article id=\"post-7072\" data-post-id=\"7072\" class=\"post-7072 post type-post status-publish format-video has-post-thumbnail hentry category-unkategorisiert tag-facing-india post_format-post-format-video\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/artists-statement-reena-saini-kallat\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<svg class=\"play-button\" viewBox=\"0 0 124 124\" aria-hidden=\"true\"><g fill=\"#fff\"><circle cx=\"62\" cy=\"62\" r=\"62\" opacity=\".35\" \/><path d=\"M96.46 62l-52-37.5v75z\" \/><\/g><\/svg>\n\t\t\t\t\t\t<img width=\"480\" height=\"266\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Reena-Saini-Kallat-e1602669064626.jpg\" class=\"attachment-large size-large wp-post-image\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Reena-Saini-Kallat-e1602669064626.jpg 480w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Reena-Saini-Kallat-e1602669064626-300x166.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Reena-Saini-Kallat-e1602669064626-100x55.jpg 100w\" sizes=\"(max-width: 480px) 100vw, 480px\">\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/facing-india\/\" rel=\"tag\" class=\"button button-small\">Facing India<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/artists-statement-reena-saini-kallat\/\" rel=\"bookmark\">Artist\u2019s Statement: Reena Saini Kallat<\/a><\/h3>\n\n\t<\/article><!-- #post-7072 -->\n<article id=\"post-7067\" data-post-id=\"7067\" class=\"post-7067 post type-post status-publish format-video has-post-thumbnail hentry category-unkategorisiert tag-facing-india post_format-post-format-video\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/artists-statement-bharti-kher\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<svg class=\"play-button\" viewBox=\"0 0 124 124\" aria-hidden=\"true\"><g fill=\"#fff\"><circle cx=\"62\" cy=\"62\" r=\"62\" opacity=\".35\" \/><path d=\"M96.46 62l-52-37.5v75z\" \/><\/g><\/svg>\n\t\t\t\t\t\t<img width=\"1024\" height=\"576\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Bharti-Kher-1024x576.jpg\" class=\"attachment-large size-large wp-post-image\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Bharti-Kher-1024x576.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Bharti-Kher-300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Bharti-Kher-768x432.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Bharti-Kher-1067x600.jpg 1067w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Bharti-Kher-100x56.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Bharti-Kher.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/facing-india\/\" rel=\"tag\" class=\"button button-small\">Facing India<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/artists-statement-bharti-kher\/\" rel=\"bookmark\">Artist\u2019s Statement: Bharti Kher<\/a><\/h3>\n\n\t<\/article><!-- #post-7067 -->\n<article id=\"post-7053\" data-post-id=\"7053\" class=\"post-7053 post type-post status-publish format-video has-post-thumbnail hentry category-unkategorisiert tag-facing-india post_format-post-format-video\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/artists-statement-prajakta-potnis\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<svg class=\"play-button\" viewBox=\"0 0 124 124\" aria-hidden=\"true\"><g fill=\"#fff\"><circle cx=\"62\" cy=\"62\" r=\"62\" opacity=\".35\" \/><path d=\"M96.46 62l-52-37.5v75z\" \/><\/g><\/svg>\n\t\t\t\t\t\t<img width=\"1024\" height=\"576\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Prajakta-Potnis-1024x576.jpg\" class=\"attachment-large size-large wp-post-image\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Prajakta-Potnis-1024x576.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Prajakta-Potnis-300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Prajakta-Potnis-768x432.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Prajakta-Potnis-1067x600.jpg 1067w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Prajakta-Potnis-100x56.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Prajakta-Potnis.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/facing-india\/\" rel=\"tag\" class=\"button button-small\">Facing India<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/artists-statement-prajakta-potnis\/\" rel=\"bookmark\">Artist\u2019s Statement: Prajakta Potnis<\/a><\/h3>\n\n\t<\/article><!-- #post-7053 -->\n<article id=\"post-7054\" data-post-id=\"7054\" class=\"post-7054 post type-post status-publish format-video has-post-thumbnail hentry category-unkategorisiert tag-facing-india post_format-post-format-video\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/artists-statement-mithu-sen\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<svg class=\"play-button\" viewBox=\"0 0 124 124\" aria-hidden=\"true\"><g fill=\"#fff\"><circle cx=\"62\" cy=\"62\" r=\"62\" opacity=\".35\" \/><path d=\"M96.46 62l-52-37.5v75z\" \/><\/g><\/svg>\n\t\t\t\t\t\t<img width=\"1024\" height=\"576\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Mithu-Sen-1024x576.jpg\" class=\"attachment-large size-large wp-post-image\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Mithu-Sen-1024x576.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Mithu-Sen-300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Mithu-Sen-768x432.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Mithu-Sen-1067x600.jpg 1067w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Mithu-Sen-100x56.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Mithu-Sen.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/facing-india\/\" rel=\"tag\" class=\"button button-small\">Facing India<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/artists-statement-mithu-sen\/\" rel=\"bookmark\">Artist\u2019s Statement: Mithu&nbsp;Sen<\/a><\/h3>\n\n\t<\/article><!-- #post-7054 -->\n<article id=\"post-7034\" data-post-id=\"7034\" class=\"post-7034 post type-post status-publish format-video has-post-thumbnail hentry category-unkategorisiert tag-facing-india post_format-post-format-video\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/artists-statement-vibha-galhotra\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<svg class=\"play-button\" viewBox=\"0 0 124 124\" aria-hidden=\"true\"><g fill=\"#fff\"><circle cx=\"62\" cy=\"62\" r=\"62\" opacity=\".35\" \/><path d=\"M96.46 62l-52-37.5v75z\" \/><\/g><\/svg>\n\t\t\t\t\t\t<img width=\"1024\" height=\"576\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Vibha-Galhotra-1024x576.jpg\" class=\"attachment-large size-large wp-post-image\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Vibha-Galhotra-1024x576.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Vibha-Galhotra-300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Vibha-Galhotra-768x432.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Vibha-Galhotra-1067x600.jpg 1067w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Vibha-Galhotra-100x56.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/Vibha-Galhotra.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/facing-india\/\" rel=\"tag\" class=\"button button-small\">Facing India<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/artists-statement-vibha-galhotra\/\" rel=\"bookmark\">Artist\u2019s Statement: Vibha Galhotra<\/a><\/h3>\n\n\t<\/article><!-- #post-7034 -->\n<article id=\"post-7011\" data-post-id=\"7011\" class=\"post-7011 post type-post status-publish format-video has-post-thumbnail hentry category-unkategorisiert tag-facing-india post_format-post-format-video\">\n\n\t\t<div class=\"post-thumbnail\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/einfuehrungsfilm-zur-ausstellung-facing-india-im-kunstmuseum-wolfsburg\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t\t\t\t<svg class=\"play-button\" viewBox=\"0 0 124 124\" aria-hidden=\"true\"><g fill=\"#fff\"><circle cx=\"62\" cy=\"62\" r=\"62\" opacity=\".35\" \/><path d=\"M96.46 62l-52-37.5v75z\" \/><\/g><\/svg>\n\t\t\t\t\t\t<img width=\"1024\" height=\"576\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/einfuhrungsfilm-1024x576.jpg\" class=\"attachment-large size-large wp-post-image\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/einfuhrungsfilm-1024x576.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/einfuhrungsfilm-300x169.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/einfuhrungsfilm-768x432.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/einfuhrungsfilm-1067x600.jpg 1067w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/einfuhrungsfilm-100x56.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/10\/einfuhrungsfilm.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\t\t<\/a>\n\t<\/div>\n\t\n\t<div class=\"post-tags\">\n\t\t<a href=\"https:\/\/www.kunstmuseum.de\/en\/tag\/facing-india\/\" rel=\"tag\" class=\"button button-small\">Facing India<\/a>\t<\/div>\n\n\t<h3 class=\"post-title h4\"><a href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/einfuehrungsfilm-zur-ausstellung-facing-india-im-kunstmuseum-wolfsburg\/\" rel=\"bookmark\">Einf\u00fchrungsfilm zur Ausstellung <span class=\"highlighted-title-part\">Facing India<\/span> im Kunstmuseum Wolfsburg<\/a><\/h3>\n\n\t<\/article><!-- #post-7011 -->\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Instal\u00adla\u00adti\u00adon\u00adviews How do women artists in India use their voices today? How do they deal with their social respon\u00adsi\u00adbi\u00adlity? Which language do they find for that which remains unsaid? For the first time in Germany, the Kunst\u00admu\u00adseum Wolfsburg is presen\u00adting an exhibi\u00adtion with works by six women artists from India. Vibha Galhotra (b. 1978), Bharti&nbsp;[\u2026]<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","meta":{"wp_typography_post_enhancements_disabled":false,"kunstmuseum_formatted_page_title":"","exhibition_title":"Facing India","exhibition_subtitle":"","exhibition_alternative_text":"April 29, 2018 \u2013 October 7, 2018","exhibition_start_date":"2018-04-29T10:47:00","exhibition_end_date":"2018-10-07T10:47:00","exhibition_gallery":"[7078,7082,7084,7090,7092,7094,7096]","exhibition_poster":7647},"tags":[412],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Facing India - Kunstmuseum Wolfsburg<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/facing-india\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Facing India - Kunstmuseum Wolfsburg\" \/>\n<meta property=\"og:description\" content=\"Installationviews How do women artists in India use their voices today? How do they deal with their social respon\u00adsi\u00adbi\u00adlity? Which language do they find for that which remains unsaid? For the first time in Germany, the Kunst\u00admu\u00adseum Wolfsburg is presen\u00adting an exhibi\u00adtion with works by six women artists from India. Vibha Galhotra (b. 1978), Bharti [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/facing-india\/\" \/>\n<meta property=\"og:site_name\" content=\"Kunstmuseum Wolfsburg\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/KunstmuseumWolfsburg\" \/>\n<meta property=\"article:modified_time\" content=\"2021-02-24T12:03:13+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@kunstmuseumwob\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.kunstmuseum.de\/en\/#organization\",\"name\":\"Kunstmuseum Wolfsburg\",\"url\":\"https:\/\/www.kunstmuseum.de\/en\/\",\"sameAs\":[\"https:\/\/www.instagram.com\/kunstmuseumwolfsburg\/\",\"https:\/\/www.linkedin.com\/company\/kunstmuseum-wolfsburg\/\",\"https:\/\/www.youtube.com\/user\/KunstmuseumWolfsburg\",\"https:\/\/de.wikipedia.org\/wiki\/Kunstmuseum_Wolfsburg\",\"https:\/\/www.facebook.com\/KunstmuseumWolfsburg\",\"https:\/\/twitter.com\/kunstmuseumwob\"],\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.kunstmuseum.de\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/05\/191125_KMW_Wortmarke_RGB_schwarz.svg\",\"contentUrl\":\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2020\/05\/191125_KMW_Wortmarke_RGB_schwarz.svg\",\"caption\":\"Kunstmuseum Wolfsburg\"},\"image\":{\"@id\":\"https:\/\/www.kunstmuseum.de\/en\/#\/schema\/logo\/image\/\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.kunstmuseum.de\/en\/#website\",\"url\":\"https:\/\/www.kunstmuseum.de\/en\/\",\"name\":\"Kunstmuseum Wolfsburg\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.kunstmuseum.de\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.kunstmuseum.de\/en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/facing-india\/\",\"url\":\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/facing-india\/\",\"name\":\"Facing India - Kunstmuseum Wolfsburg\",\"isPartOf\":{\"@id\":\"https:\/\/www.kunstmuseum.de\/en\/#website\"},\"datePublished\":\"2018-04-29T13:51:00+00:00\",\"dateModified\":\"2021-02-24T12:03:13+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/facing-india\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/facing-india\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/facing-india\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\/\/www.kunstmuseum.de\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Exhibitions\",\"item\":\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Facing India\"}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Facing India - Kunstmuseum Wolfsburg","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.kunstmuseum.de\/en\/exhibition\/facing-india\/","og_locale":"en_US","og_type":"article","og_title":"Facing India - Kunstmuseum Wolfsburg","og_description":"Installationviews How do women artists in India use their voices today? 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