{"id":8515,"date":"2021-06-02T09:41:13","date_gmt":"2021-06-02T07:41:13","guid":{"rendered":"http:\/\/kunstmuseum.mscg-it.de\/?post_type=exhibition&#038;p=8515"},"modified":"2024-03-12T10:16:22","modified_gmt":"2024-03-12T09:16:22","slug":"power-light","status":"publish","type":"exhibition","link":"https:\/\/www.kunstmuseum.de\/en\/exhibition\/power-light\/","title":{"rendered":"Power! Light!"},"content":{"rendered":"\n<h2>Images<\/h2>\n\n\n<div class=\"wp-block-exhibition-slider alignfull \"><div class=\"exhibition-slider\">\n\t<div class=\"swiper-container\">\n\t\t<div class=\"swiper-wrapper\">\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"900\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-900x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-2048x1365.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-100x67.jpg 100w\" sizes=\"(max-width: 900px) 100vw, 900px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"900\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-900x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-1536x1025.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2.jpg 2000w\" sizes=\"(max-width: 900px) 100vw, 900px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"400\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-400x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-400x600.jpg 400w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-200x300.jpg 200w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-683x1024.jpg 683w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-768x1152.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-1024x1536.jpg 1024w, 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src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-450x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-450x600.jpg 450w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-225x300.jpg 225w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-768x1024.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-1152x1536.jpg 1152w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-1536x2048.jpg 1536w, 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300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-scaled.jpg 1703w\" sizes=\"(max-width: 399px) 100vw, 399px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"1020\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-1020x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-1020x600.jpg 1020w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-300x177.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-1024x603.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-768x452.jpg 768w, 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https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-200x300.jpg 200w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-100x150.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-300x450.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES.jpg 533w\" sizes=\"(max-width: 400px) 100vw, 400px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"633\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-633x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-633x600.jpg 633w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-300x285.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-1024x971.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-768x729.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-1536x1457.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-2048x1943.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-100x95.jpg 100w\" sizes=\"(max-width: 633px) 100vw, 633px\">\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t<img width=\"752\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-752x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-752x600.jpg 752w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-300x239.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-1024x817.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-768x613.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-1536x1226.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-2048x1635.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-100x80.jpg 100w\" sizes=\"(max-width: 752px) 100vw, 752px\">\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n\t<button class=\"button-arrow open-credits-overlay\">\n\t\t<svg viewBox=\"0 0 14 14\">\n\t\t\t<path d=\"M5.977,13.852H16.608l-4.9,4.9,1.269,1.225,7-7-7-7L11.752,7.2l4.856,4.9H5.977Z\" transform=\"translate(-5.977 -5.977)\" \/>\n\t\t<\/svg>\n\t\tCredits\t<\/button>\n\t<div class=\"credits-overlay\" role=\"dialog\">\n\t\t<h3 class=\"h1\">Credits<\/h3>\n\t\t<div class=\"credits-list\">\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-2048x1365.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-900x600.jpg 900w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Lori Hersberger, <em>Sunset 164<\/em>, 2006, neon systems, black float glass, 164 x 300 x 1.8 cm (neon), 164 x 300 x ca. 400 cm (instal\u00adla\u00adtion dimen\u00adsions), \u00a9 Lori Hersberger Studio, courtesy Lori Hersberger Studio, Zurich, photo: Hans-Georg Gaul, Berlin<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-1536x1025.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2.jpg 2000w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Warren Neidich, <em>Pizzagate Neon<\/em>, 2017, instal\u00adla\u00adtion of neon systems, 400 x 500 x 280 cm, private collec\u00adtion, \u00a9 Warren Neidich, courtesy Priska Pasquer, Cologne, photo: Karolina Sobel<\/p>\n<p>\n\t\t\t<\/p><\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"150\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-100x150.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-100x150.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-200x300.jpg 200w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-683x1024.jpg 683w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-768x1152.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-1024x1536.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-1365x2048.jpg 1365w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-400x600.jpg 400w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-300x450.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-scaled.jpg 1707w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Nana Petzet, <em>Licht\u00adfalle Hamburg<\/em>, 2015\/2018, Aktion im Hamburger Hafen mit Licht\u00adob\u00adjekt (Leucht\u00adstoff\u00adr\u00f6hren auf Alutr\u00e4ger, Licht\u00adsegel), ca. 450 x 330  x 30 cm, \u00a9 Nana Petzet \/ VG Bild-Kunst, Bonn 2021, Courtesy die K\u00fcnst\u00adlerin, Foto: Helge&nbsp;Mundt<\/p>\n<p>\n\t\t\t<\/p><\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"60\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-100x60.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-100x60.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-300x180.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-1024x615.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-768x462.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-1536x923.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-998x600.jpg 998w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French.jpg 2000w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Claire Fontaine, <em>Foreig\u00adners Every\u00adwhere (French)<\/em>, 2006, Neon, Rahmen, Trans\u00adfor\u00admator, Kabel, 11 x 172 x 4,5 cm, Ed. 1\/5 + 2 AP, Courtesy die K\u00fcnstler und Galerie Neu, Berlin<\/p>\n<p>\n\t\t\t<\/p><\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"133\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-100x133.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-100x133.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-225x300.jpg 225w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-768x1024.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-1152x1536.jpg 1152w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-1536x2048.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-450x600.jpg 450w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-300x400.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-scaled.jpg 1920w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Pousttchi Bettina, <em>Double Monument for Flavin and Tatlin XIII<\/em>, 2014, Pulver\u00adbe\u00adschich\u00adtetes Absperr\u00adgitter, Leucht\u00adstoff\u00adr\u00f6hren, 280 x 160 x 132 cm, \u00a9 Courtesy Buchmann Galerie, Berlin<\/p>\n<p>\n\t\t\t<\/p><\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"150\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-100x150.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-100x150.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-200x300.jpg 200w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-681x1024.jpg 681w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-768x1154.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-1022x1536.jpg 1022w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-1363x2048.jpg 1363w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-399x600.jpg 399w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-300x451.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-scaled.jpg 1703w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Los Carpin\u00adteros, <em>It\u00b4s not Che, it\u00b4s Angela Merkel<\/em>, 2014, pulver\u00adbe\u00adschich\u00adtetes Aluminium, LEDs, 170 x 120 x 8 cm, \u00a9 Los Carpin\u00adteros, Courtesy Los Carpin\u00adteros und Galerie Peter Kilchmann, Z\u00fcrich, Foto: Jason Wyche, New&nbsp;York<\/p>\n<p>\n\t\t\t<\/p><\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"59\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-100x59.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-100x59.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-300x177.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-1024x603.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-768x452.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-1536x904.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-2048x1205.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-1020x600.jpg 1020w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Mariana Vassileva, <em>Burned Hands<\/em>, 2013, charred wood, neon system, 60 x 45 x 30 cm, Kunst\u00admu\u00adseum Wolfsburg, on permanent loan from a private collec\u00adtion, \u00a9 Mariana Vassileva, Kunst\u00admu\u00adseum Wolfsburg, photo: Mariana Vassileva<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"150\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-100x150.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-100x150.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-200x300.jpg 200w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-400x600.jpg 400w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-300x450.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES.jpg 533w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Gregor Schneider, <em>High Security and Isolation Cell No. 2<\/em>, 2005, Zimmer im Zimmer, Spanplatten auf Holzkon\u00adstruk\u00adtion, T\u00fcr, Lampe, Matratze, Toilette, \u00a9 VG Bild-Kunst, Bonn 2022, Courtesy der K\u00fcnstler, Foto: Gregor Schneider<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"95\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-100x95.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-100x95.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-300x285.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-1024x971.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-768x729.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-1536x1457.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-2048x1943.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-633x600.jpg 633w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Georg Herold, <em>House within His Darkness [\u1f10\u03bd \u1f00\u03c1\u03c7\u1fc7 \u1f26\u03bd \u1f41 \u039b\u03cc\u03b3\u03bf\u03c2] (Cyber-Merz)<\/em>, Holz, Stahlrohr, Leucht\u00admittel, Elektro\u00adin\u00adstal\u00adla\u00adtionen, Apfelsine, 1995, wood, steel tube, fluore\u00adscent tubes, electrical instal\u00adla\u00adtion, 325 x 195 x 258 cm, Kunst\u00admu\u00adseum Wolfsburg, \u00a9 Georg Herold \/ VG Bild-Kunst, Bonn 2021, photo: Helge&nbsp;Mundt<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"credit-item\">\n\t\t\t\t<img width=\"100\" height=\"80\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-100x80.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt loading=\"lazy\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-100x80.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-300x239.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-1024x817.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-768x613.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-1536x1226.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-2048x1635.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-752x600.jpg 752w\" sizes=\"(max-width: 100px) 100vw, 100px\">\t\t\t\t<p>Mario Merz, <em>Objet cache-toi<\/em>, 1968, iron rods, wire mesh, linen sacks filled with wood shavings, neon systems, variable trans\u00adformer, 110 x \u00d8 210 cm, Kunst\u00admu\u00adseum Wolfsburg, \u00a9 Mario Merz \/ VG Bild-Kunst, Bonn 2021, photo: Helge&nbsp;Mundt&nbsp;<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-container-1 wp-block-group alignfull has-gray-background-color has-background\">\n<h2>Info<\/h2>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis:66.66%\">\n<p><strong>At the beginning of the modern age, artifi\u00adcial light was regarded a Artifi\u00adcial light sources are an essential prere\u00adqui\u00adsite of modern global life. Their permanent and excessive use is, however, associated with numerous negative effects. On the one hand, artifi\u00adcial light makes cultural events possible, offers social space and protec\u00adtion, can showcase people, objects, or consumer articles and thus lend them meaning. On the other hand, power is exercised with the targeted use of electric light: It can be used to monitor, manipu\u00adlate, exclude, or even destroy. The exhibi\u00adtion <em>Power! Light!<\/em> features some 80 works of light art by sixty inter\u00adna\u00adtio\u00adnally renowned artists, offering for the first time insight into the fasci\u00adna\u00adting spectrum of light art that is political in the broadest sense.<\/strong><\/p>\n\n\n\n<!--more Weiterlesen-->\n\n\n\n<p>Although there are numerous negative effects associated with the persis\u00adtent and excessive use of artifi\u00adcial light, humans are almost magically attracted to light and are enthu\u00adsi\u00adastic about the broad range of technical oppor\u00adtu\u00adnities. Within the past 150 years, civiliz\u00ada\u00adtion has created a wide variety of possi\u00adbi\u00adli\u00adties to replace natural light and thus break the sole dominance of the sun. Without artifi\u00adcial light, global economic and cultural develo\u00adp\u00adment would have been virtually inconceivable.<\/p>\n\n\n\n<p>And not only humans are attracted to light: Current issues surroun\u00adding ecology are addressed in works of light art such as <strong>Nana Petzet\u2019s<\/strong> <em>Light Trap Hamburg<\/em> (2015\/2018), which focuses on the mass decline of insect popula\u00adtions. With the help of an algorithm, <strong>Daniel Canogar\u2019s<\/strong> <em>Tropo\u00ads\u00adphere<\/em> (2017) trans\u00adlates data of global environ\u00admental phenomena and natural disasters into abstract color anima\u00adtions. The extent to which we are all trained and manipu\u00adlated by adver\u00adti\u00adsing is demons\u00adtrated by <strong>Monica Bonvicini\u2019s<\/strong> aesthetic and yet forbidding neon sign <em>NOT FOR YOU<\/em> (2006), as well as by <strong>Daniel Pflumm\u2019s<\/strong> light boxes, in which it is unmistakable, even without the company lettering, which firm is behind the brightly colored message.<\/p>\n\n\n\n<p>Questions regarding roman\u00adti\u00adcism, happiness, and utopias arise in <strong>Lori Hersberger\u2019s<\/strong> <em>Sunset 164<\/em> (2006), in which colorful neon arches feign an eternal sunset\u2014a state that is neither day nor night and quickly ends in the beauty of mere super\u00adfi\u00adcial appearance. And do you remember the last time you looked up at a clear, star-filled sky? <strong>Siegrun Appelt\u2019s<\/strong> instal\u00adla\u00adtion, created especially for the Kunst\u00admu\u00adseum Wolfsburg, draws attention to the widespread light pollution by allowing light to be physi\u00adcally experi\u00adenced in an extremely concen\u00adtrated form.<\/p>\n\n\n\n<p>The permanent illumi\u00adna\u00adtion in <strong>Gregor Schneider\u2019s<\/strong> <em>High Security and Isolation Cell No. 2<\/em> (2005) is a special kind of physical experi\u00adence, with which he refers to the permanent exposure to a light source as a method of \u201cwhite torture.\u201d While escape seems impos\u00adsible here, the flight from <strong>Mariana Vassileva\u2019s<\/strong> <em>Break In \/ Out: Breathing Light <\/em>(2013) has already been successful.<\/p>\n\n\n\n<p>A spotlight on a concrete political scandal is cast by <strong>Warren Neidich\u2019s<\/strong> specta\u00adcular neon instal\u00adla\u00adtion <em>Pizzagate Neon<\/em> (2016), which addresses a politi\u00adcally motivated fake news scandal in the run-up to the 2016 American presi\u00adden\u00adtial election surroun\u00adding Hillary Clinton\u2019s alleged invol\u00adve\u00adment in a child porn&nbsp;ring.<\/p>\n\n\n\n<p>In the end, we all long for an ideal place\u2014<em>Un endroit id\u00e9al<\/em> (2000)\u2014as envisioned by <strong>Anne Marie Jugnet<\/strong> <strong>&amp; Alain Clairet<\/strong>, where there is light, but also necessa\u00adrily darkness. In order to reach this place, one\u2019s own use of artifi\u00adcial light must also be criti\u00adcally questioned.<\/p>\n\n\n\n<p>The exhibi\u00adtion will be accom\u00adpa\u00adnied by a compre\u00adhen\u00adsive bilingual publi\u00adca\u00adtion (German\/English; 256 pages each) with texts by renowned authors from the fields of art history, philo\u00adsophy, theology, and biology.<\/p>\n\n\n\n<h2>Participating Artists<\/h2>\n\n\n\n<p>Siegrun Appelt, Awst &amp; Walther, Maja Bajevi\u0107, Matthias Berthold, Joseph Beuys, Christian Boltanski, Monica Bonvicini, Madeleine Boschan, Daniel Canogar, Claire Fontaine, J\u00fcrgen &amp; Nora Claus, Bill Culbert, Sven Dr\u00fchl, Sam Durant, Olafur Eliasson, Patrick Fenech, Sylvie Fleury, Petrit Halilaj, Georg Herold, Lori Hersberger, Damien Hirst, Michael Hirsch\u00adbichler, Stephan Huber, Alfredo Jaar, Christian Jankowski, Anne Marie Jugnet &amp; Alain Clairet, \u0160ejla Kameri\u0107, Brigitte Kowanz, Mischa Kuball, Dominik Lejman, Los Carpin\u00adteros, !Medien\u00adgruppe Bitnik, Tatsuo Miyajima, molitor &amp; kuzmin, Robert Montgo\u00admery, Heike Mutter und Ulrich Genth, Warren Neidich, Jens Pecho, Nana Petzet, Daniel Pflumm, Bettina Pousttchi, Tobias Rehberger, Ariel Reichman, Bernard\u00ed Roig, Gregor Schneider, Silke Silkeborg, Paul Thek, Timm Ulrichs, Mariana Vassileva, Peter Weibel, Cerith Wyn Evans, Naneci Yurdag\u00fcl.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\">\n<p>Curators<br>Andreas Beitin and Holger Broeker<\/p>\n\n\n\n<p><em>Junior Curator<\/em>s<br>Elena Engelbrechter and Regine Epp<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2>Film<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Macht! Licht! im Kunstmuseum Wolfsburg\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/zgqh-5mwZnc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>film by art \/&nbsp;beats<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<p>With friendly support<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<p>Media partner<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-1024x190.png\" alt class=\"wp-image-12100\" width=\"187\" height=\"35\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-1024x190.png 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-300x56.png 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-768x142.png 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-1536x285.png 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-2048x379.png 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-100x19.png 100w\" sizes=\"(max-width: 187px) 100vw, 187px\"><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0-1024x660.png\" alt class=\"wp-image-12104\" width=\"51\" height=\"32\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0-1024x660.png 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0-300x193.png 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0-768x495.png 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0-931x600.png 931w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0-100x64.png 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0.png 1147w\" sizes=\"(max-width: 51px) 100vw, 51px\"><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-1024x298.png\" alt class=\"wp-image-12109\" width=\"121\" height=\"35\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-1024x298.png 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-300x87.png 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-768x224.png 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-1536x447.png 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-2048x596.png 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-100x29.png 100w\" sizes=\"(max-width: 121px) 100vw, 121px\"><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column\"><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Images At the beginning of the modern age, artifi\u00adcial light was regarded a Artifi\u00adcial light sources are an essential prere\u00adqui\u00adsite of modern global life. Their permanent and excessive use is, however, associated with numerous negative effects. On the one hand, artifi\u00adcial light makes cultural events possible, offers social space and protec\u00adtion, can showcase people, objects,&nbsp;[\u2026]<\/p>\n","protected":false},"featured_media":15452,"menu_order":0,"template":"","meta":{"wp_typography_post_enhancements_disabled":false,"kunstmuseum_formatted_page_title":"Power! Light!","exhibition_title":"Power! Light!","exhibition_subtitle":"","exhibition_alternative_text":"March 12, 2022 - July 10, 2022","exhibition_start_date":"2022-03-12T16:41:00","exhibition_end_date":"2022-07-10T16:41:00","exhibition_gallery":"[8529,12394,12390,12408,12392,12388,8531,12401,8523,8525]","exhibition_poster":15452},"tags":[491],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Power! Light! - Kunstmuseum Wolfsburg<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/power-light\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Power! Light! - Kunstmuseum Wolfsburg\" \/>\n<meta property=\"og:description\" content=\"Images At the beginning of the modern age, artifi\u00adcial light was regarded a Artifi\u00adcial light sources are an essential prere\u00adqui\u00adsite of modern global life. Their permanent and excessive use is, however, associated with numerous negative effects. 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