{"id":8515,"date":"2021-06-02T09:41:13","date_gmt":"2021-06-02T07:41:13","guid":{"rendered":"http:\/\/kunstmuseum.mscg-it.de\/?post_type=exhibition&#038;p=8515"},"modified":"2024-03-12T10:16:22","modified_gmt":"2024-03-12T09:16:22","slug":"power-light","status":"publish","type":"exhibition","link":"https:\/\/www.kunstmuseum.de\/en\/exhibition\/power-light\/","title":{"rendered":"Power! Light!"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Images<\/h2>\n\n\n<div class=\"wp-block-exhibition-slider alignfull \"><div class=\"exhibition-slider\">\r\n\t<div class=\"swiper-container\">\r\n\t\t<div class=\"swiper-wrapper\">\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-900x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-2048x1365.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-100x67.jpg 100w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-900x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-1536x1025.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2.jpg 2000w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-400x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-400x600.jpg 400w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-200x300.jpg 200w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-683x1024.jpg 683w, 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src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-998x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-998x600.jpg 998w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-300x180.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-1024x615.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-768x462.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-1536x923.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-100x60.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French.jpg 2000w\" sizes=\"(max-width: 998px) 100vw, 998px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-450x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-450x600.jpg 450w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-225x300.jpg 225w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-768x1024.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-1152x1536.jpg 1152w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-1536x2048.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-100x133.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-300x400.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-scaled.jpg 1920w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"399\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-399x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-399x600.jpg 399w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-200x300.jpg 200w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-681x1024.jpg 681w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-768x1154.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-1022x1536.jpg 1022w, 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srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-1020x600.jpg 1020w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-300x177.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-1024x603.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-768x452.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-1536x904.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-2048x1205.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-100x59.jpg 100w\" sizes=\"(max-width: 1020px) 100vw, 1020px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" 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400px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"633\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-633x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-633x600.jpg 633w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-300x285.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-1024x971.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-768x729.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-1536x1457.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-2048x1943.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-100x95.jpg 100w\" sizes=\"(max-width: 633px) 100vw, 633px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"swiper-slide\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"752\" height=\"600\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-752x600.jpg\" class=\"attachment-exhibition-slider size-exhibition-slider\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-752x600.jpg 752w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-300x239.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-1024x817.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-768x613.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-1536x1226.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-2048x1635.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-100x80.jpg 100w\" sizes=\"(max-width: 752px) 100vw, 752px\" \/>\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n\t<button class=\"button-arrow open-credits-overlay\">\r\n\t\t<svg viewBox=\"0 0 14 14\">\r\n\t\t\t<path d=\"M5.977,13.852H16.608l-4.9,4.9,1.269,1.225,7-7-7-7L11.752,7.2l4.856,4.9H5.977Z\" transform=\"translate(-5.977 -5.977)\"\/>\r\n\t\t<\/svg>\r\n\t\tCredits\t<\/button>\r\n\t<div class=\"credits-overlay\" role=\"dialog\">\r\n\t\t<h3 class=\"h1\">Credits<\/h3>\r\n\t\t<div class=\"credits-list\">\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-1536x1024.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-2048x1365.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Hersberger-Lori_Sunset_164_2006-2-900x600.jpg 900w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Lori Hersberger, <em>Sunset 164<\/em>, 2006, neon systems, black float glass, 164 x 300 x 1.8 cm (neon), 164 x 300 x ca. 400 cm (installation dimensions), \u00a9 Lori Hersberger Studio, courtesy Lori Hersberger Studio, Zurich, photo: Hans-Georg Gaul, Berlin<\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"67\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-100x67.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-100x67.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-300x200.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-1024x683.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-768x512.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-1536x1025.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2-900x600.jpg 900w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Warren-Neidich-Exhibition-View-Rumor-to-Delusion-Foto-Karolina-Sobel-2.jpg 2000w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Warren Neidich, <em>Pizzagate Neon<\/em>, 2017, installation of neon systems, 400 x 500 x 280 cm, private collection, \u00a9 Warren Neidich, courtesy Priska Pasquer, Cologne, photo: Karolina Sobel<\/p>\n<p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"150\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-100x150.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-100x150.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-200x300.jpg 200w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-683x1024.jpg 683w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-768x1152.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-1024x1536.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-1365x2048.jpg 1365w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-400x600.jpg 400w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-300x450.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Petzet-Nana_Lichtfalle-Hamburg_2015.2018-scaled.jpg 1707w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Nana Petzet, <em>Lichtfalle Hamburg<\/em>, 2015\/2018, Aktion im Hamburger Hafen mit Lichtobjekt (Leuchtstoffr\u00f6hren auf Alutr\u00e4ger, Lichtsegel), ca. 450 x 330  x 30 cm, \u00a9 Nana Petzet \/ VG Bild-Kunst, Bonn 2021, Courtesy die K\u00fcnstlerin, Foto: Helge Mundt<\/p>\n<p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"60\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-100x60.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-100x60.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-300x180.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-1024x615.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-768x462.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-1536x923.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French-998x600.jpg 998w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Claire-Fontaine_Foreigners-Everywhere-French.jpg 2000w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Claire Fontaine, <em>Foreigners Everywhere (French)<\/em>, 2006, Neon, Rahmen, Transformator, Kabel, 11 x 172 x 4,5 cm, Ed. 1\/5 + 2 AP, Courtesy die K\u00fcnstler und Galerie Neu, Berlin<\/p>\n<p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"133\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-100x133.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-100x133.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-225x300.jpg 225w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-768x1024.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-1152x1536.jpg 1152w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-1536x2048.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-450x600.jpg 450w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-300x400.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Pousttchi-Bettina_Double-Monument-for-Flavin-and-Tatlin-XIII-scaled.jpg 1920w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Pousttchi Bettina, <em>Double Monument for Flavin and Tatlin XIII<\/em>, 2014, Pulverbeschichtetes Absperrgitter, Leuchtstoffr\u00f6hren, 280 x 160 x 132 cm, \u00a9 Courtesy Buchmann Galerie, Berlin<\/p>\n<p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"150\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-100x150.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-100x150.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-200x300.jpg 200w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-681x1024.jpg 681w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-768x1154.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-1022x1536.jpg 1022w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-1363x2048.jpg 1363w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-399x600.jpg 399w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-300x451.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Los-Carpinteros_It\u00b4s-not-Che-it\u00b4s-Angela-Merkel_2014-scaled.jpg 1703w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Los Carpinteros, <em>It\u00b4s not Che, it\u00b4s Angela Merkel<\/em>, 2014, pulverbeschichtetes Aluminium, LEDs, 170 x 120 x 8 cm, \u00a9 Los Carpinteros, Courtesy Los Carpinteros und Galerie Peter Kilchmann, Z\u00fcrich, Foto: Jason Wyche, New York<\/p>\n<p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"59\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-100x59.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-100x59.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-300x177.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-1024x603.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-768x452.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-1536x904.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-2048x1205.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Burned-Hands-quer-Bearbeitet-1020x600.jpg 1020w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Mariana Vassileva, <em>Burned Hands<\/em>, 2013, charred wood, neon system, 60 x 45 x 30 cm, Kunstmuseum Wolfsburg, on permanent loan from a private collection, \u00a9 Mariana Vassileva, Kunstmuseum Wolfsburg, photo: Mariana Vassileva<\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"150\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-100x150.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-100x150.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-200x300.jpg 200w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-400x600.jpg 400w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES-300x450.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2022\/01\/Schneider-Gregor_High-Security-and-Isolation-Cell-No.-2_2005_LOW-RES.jpg 533w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Gregor Schneider, <em>High Security and Isolation Cell No. 2<\/em>, 2005, Zimmer im Zimmer, Spanplatten auf Holzkonstruktion, T\u00fcr, Lampe, Matratze, Toilette, \u00a9 VG Bild-Kunst, Bonn 2022, Courtesy der K\u00fcnstler, Foto: Gregor Schneider<\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"95\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-100x95.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-100x95.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-300x285.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-1024x971.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-768x729.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-1536x1457.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-2048x1943.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Herold_HouseGIEBEL-Bearbeitet-633x600.jpg 633w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Georg Herold, <em>House within His Darkness [\u1f10\u03bd \u1f00\u03c1\u03c7\u1fc7 \u1f26\u03bd \u1f41 \u039b\u03cc\u03b3\u03bf\u03c2] (Cyber-Merz)<\/em>, Holz, Stahlrohr, Leuchtmittel, Elektroinstallationen, Apfelsine, 1995, wood, steel tube, fluorescent tubes, electrical installation, 325 x 195 x 258 cm, Kunstmuseum Wolfsburg, \u00a9 Georg Herold \/ VG Bild-Kunst, Bonn 2021, photo: Helge Mundt<\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"credit-item\">\r\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"80\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-100x80.jpg\" class=\"attachment-credits-thumbnail size-credits-thumbnail\" alt=\"\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-100x80.jpg 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-300x239.jpg 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-1024x817.jpg 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-768x613.jpg 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-1536x1226.jpg 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-2048x1635.jpg 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/Merz_ObjetCacheToii01_bearb-Bearbeitet-752x600.jpg 752w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>\t\t\t\t<p>Mario Merz, <em>Objet cache-toi<\/em>, 1968, iron rods, wire mesh, linen sacks filled with wood shavings, neon systems, variable transformer, 110 x \u00d8 210 cm, Kunstmuseum Wolfsburg, \u00a9 Mario Merz \/ VG Bild-Kunst, Bonn 2021, photo: Helge Mundt <\/p>\n\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div>\n\n\n<div class=\"wp-block-group alignfull has-gray-background-color has-background is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Info<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>At the beginning of the modern age, artificial light was regarded a Artificial light sources are an essential prerequisite of modern global life. Their permanent and excessive use is, however, associated with numerous negative effects. On the one hand, artificial light makes cultural events possible, offers social space and protection, can showcase people, objects, or consumer articles and thus lend them meaning. On the other hand, power is exercised with the targeted use of electric light: It can be used to monitor, manipulate, exclude, or even destroy. The exhibition <em>Power! Light!<\/em> features some 80 works of light art by sixty internationally renowned artists, offering for the first time insight into the fascinating spectrum of light art that is political in the broadest sense.<\/strong><\/p>\n\n\n\n<!--more Weiterlesen-->\n\n\n\n<p>Although there are numerous negative effects associated with the persistent and excessive use of artificial light, humans are almost magically attracted to light and are enthusiastic about the broad range of technical opportunities. Within the past 150 years, civilization has created a wide variety of possibilities to replace natural light and thus break the sole dominance of the sun. Without artificial light, global economic and cultural development would have been virtually inconceivable.<\/p>\n\n\n\n<p>And not only humans are attracted to light: Current issues surrounding ecology are addressed in works of light art such as <strong>Nana Petzet\u2019s<\/strong> <em>Light Trap Hamburg<\/em> (2015\/2018), which focuses on the mass decline of insect populations. With the help of an algorithm, <strong>Daniel Canogar\u2019s<\/strong> <em>Troposphere<\/em> (2017) translates data of global environmental phenomena and natural disasters into abstract color animations. The extent to which we are all trained and manipulated by advertising is demonstrated by <strong>Monica Bonvicini\u2019s<\/strong> aesthetic and yet forbidding neon sign <em>NOT FOR YOU<\/em> (2006), as well as by <strong>Daniel Pflumm\u2019s<\/strong> light boxes, in which it is unmistakable, even without the company lettering, which firm is behind the brightly colored message.<\/p>\n\n\n\n<p>Questions regarding romanticism, happiness, and utopias arise in <strong>Lori Hersberger\u2019s<\/strong> <em>Sunset 164<\/em> (2006), in which colorful neon arches feign an eternal sunset\u2014a state that is neither day nor night and quickly ends in the beauty of mere superficial appearance. And do you remember the last time you looked up at a clear, star-filled sky? <strong>Siegrun Appelt\u2019s<\/strong> installation, created especially for the Kunstmuseum Wolfsburg, draws attention to the widespread light pollution by allowing light to be physically experienced in an extremely concentrated form.<\/p>\n\n\n\n<p>The permanent illumination in <strong>Gregor Schneider\u2019s<\/strong> <em>High Security and Isolation Cell No. 2<\/em> (2005) is a special kind of physical experience, with which he refers to the permanent exposure to a light source as a method of \u201cwhite torture.\u201d While escape seems impossible here, the flight from <strong>Mariana Vassileva\u2019s<\/strong> <em>Break In \/ Out: Breathing Light <\/em>(2013) has already been successful.<\/p>\n\n\n\n<p>A spotlight on a concrete political scandal is cast by <strong>Warren Neidich\u2019s<\/strong> spectacular neon installation <em>Pizzagate Neon<\/em> (2016), which addresses a politically motivated fake news scandal in the run-up to the 2016 American presidential election surrounding Hillary Clinton\u2019s alleged involvement in a child porn ring.<\/p>\n\n\n\n<p>In the end, we all long for an ideal place\u2014<em>Un endroit id\u00e9al<\/em> (2000)\u2014as envisioned by <strong>Anne Marie Jugnet<\/strong> <strong>&amp; Alain Clairet<\/strong>, where there is light, but also necessarily darkness. In order to reach this place, one\u2019s own use of artificial light must also be critically questioned.<\/p>\n\n\n\n<p>The exhibition will be accompanied by a comprehensive bilingual publication (German\/English; 256 pages each) with texts by renowned authors from the fields of art history, philosophy, theology, and biology.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Participating Artists<\/h2>\n\n\n\n<p>Siegrun Appelt, Awst &amp; Walther, Maja Bajevi\u0107, Matthias Berthold, Joseph Beuys, Christian Boltanski, Monica Bonvicini, Madeleine Boschan, Daniel Canogar, Claire Fontaine, J\u00fcrgen &amp; Nora Claus, Bill Culbert, Sven Dr\u00fchl, Sam Durant, Olafur Eliasson, Patrick Fenech, Sylvie Fleury, Petrit Halilaj, Georg Herold, Lori Hersberger, Damien Hirst, Michael Hirschbichler, Stephan Huber, Alfredo Jaar, Christian Jankowski, Anne Marie Jugnet &amp; Alain Clairet, \u0160ejla Kameri\u0107, Brigitte Kowanz, Mischa Kuball, Dominik Lejman, Los Carpinteros, !Mediengruppe Bitnik, Tatsuo Miyajima, molitor &amp; kuzmin, Robert Montgomery, Heike Mutter und Ulrich Genth, Warren Neidich, Jens Pecho, Nana Petzet, Daniel Pflumm, Bettina Pousttchi, Tobias Rehberger, Ariel Reichman, Bernard\u00ed Roig, Gregor Schneider, Silke Silkeborg, Paul Thek, Timm Ulrichs, Mariana Vassileva, Peter Weibel, Cerith Wyn Evans, Naneci Yurdag\u00fcl.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p>Curators<br>Andreas Beitin and Holger Broeker<\/p>\n\n\n\n<p><em>Junior Curator<\/em>s<br>Elena Engelbrechter and Regine Epp<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Film<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Macht! Licht! im Kunstmuseum Wolfsburg\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/zgqh-5mwZnc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>film by art \/ beats<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>With friendly support<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Media partner<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-1024x190.png\" alt=\"\" class=\"wp-image-12100\" width=\"187\" height=\"35\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-1024x190.png 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-300x56.png 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-768x142.png 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-1536x285.png 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-2048x379.png 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/01\/ZL_Logo_1905_blk-100x19.png 100w\" sizes=\"(max-width: 187px) 100vw, 187px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0-1024x660.png\" alt=\"\" class=\"wp-image-12104\" width=\"51\" height=\"32\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0-1024x660.png 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0-300x193.png 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0-768x495.png 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0-931x600.png 931w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0-100x64.png 100w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/LSW-Logo-CMYK-0_0_0_0.png 1147w\" sizes=\"(max-width: 51px) 100vw, 51px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-1024x298.png\" alt=\"\" class=\"wp-image-12109\" width=\"121\" height=\"35\" srcset=\"https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-1024x298.png 1024w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-300x87.png 300w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-768x224.png 768w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-1536x447.png 1536w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-2048x596.png 2048w, https:\/\/www.kunstmuseum.de\/wp-content\/uploads\/2021\/12\/arte_logo_sw-100x29.png 100w\" sizes=\"(max-width: 121px) 100vw, 121px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Images At the beginning of the modern age, artificial light was regarded a Artificial light sources are an essential prerequisite of modern global life. Their permanent and excessive use is, however, associated with numerous negative effects. On the one hand, artificial light makes cultural events possible, offers social space and protection, can showcase people, objects, [&hellip;]<\/p>\n","protected":false},"featured_media":15452,"menu_order":0,"template":"","meta":{"kunstmuseum_formatted_page_title":"Power! Light!","exhibition_title":"Power! Light!","exhibition_subtitle":"","exhibition_alternative_text":"March 12, 2022 - July 10, 2022","exhibition_start_date":"2022-03-12T16:41:00","exhibition_end_date":"2022-07-10T16:41:00","exhibition_gallery":"[8529,12394,12390,12408,12392,12388,8531,12401,8523,8525]","exhibition_poster":15452},"tags":[491],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Power! Light! - Kunstmuseum Wolfsburg<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/power-light\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Power! Light! - Kunstmuseum Wolfsburg\" \/>\n<meta property=\"og:description\" content=\"Images At the beginning of the modern age, artificial light was regarded a Artificial light sources are an essential prerequisite of modern global life. Their permanent and excessive use is, however, associated with numerous negative effects. 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