{"id":7072,"date":"2018-05-23T11:45:00","date_gmt":"2018-05-23T09:45:00","guid":{"rendered":"https:\/\/kunstmuseum.mscg-it.de\/?p=7072"},"modified":"2024-04-26T14:03:43","modified_gmt":"2024-04-26T12:03:43","slug":"artists-statement-reena-saini-kallat","status":"publish","type":"post","link":"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/artists-statement-reena-saini-kallat\/","title":{"rendered":"Artist&#8217;s Statement: Reena Saini Kallat"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Reena Saini Kallat\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/P_izd7d2wGU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Das Trennende und das Verbindende ziehen sich wie ein roter Faden durch das Werk von Reena Saini Kallat (*1973). Sie ist eine der K\u00fcnstlerinnen, die das Kunstmuseum Wolfsburg bei der Ausstellung <em>Facing India <\/em>pr\u00e4sentiert hat.<\/p>\n\n\n\n<p>Ihr geht es nicht nur um umk\u00e4mpfte Territorialgrenzen, sondern auch um soziale und psychologische Barrieren. Trotz ihrer Stacheldraht\u00e4sthetik steht ihre Arbeit <em>Woven Chronicle<\/em>, eine aus Elektrokabeln gekn\u00fcpfte Weltkarte, die Migrationsrouten weltweit nachvollzieht, nicht nur f\u00fcr internationale Grenzkonflikte, sondern fungiert auch als Netzwerkmetapher \u2013 ein Manifest der m\u00f6glichen Kommunikation. Ganz in diesem Sinne lebt die Natur in Reena Saini Kallats Arbeiten vor, wozu der Mensch in Geschichte und Gegenwart nicht in der Lage ist: ein friedliches und gleichberechtigtes Miteinander, einen gelebten Pluralismus der Kulturen. So kreiert sie in ihren <em>Hyphenated Lives<\/em> eine Welt aus tierischen und pflanzlichen Hybriden, die sich aus der typischen Flora und Fauna zweier Konfliktl\u00e4nder zusammensetzt, seien es Indien und Pakistan oder Texas und Mexiko. Reena Saini Kallat benennt die Namenlosen und sieht im R\u00fcckblick die Chance auf den Blick nach vorn. So z\u00f6gerte sie nicht, dem weiblichen K\u00f6rper in <em>Crease\/Crevice\/Contour<\/em> die erlittene Gewalt w\u00e4hrend der indisch-pakistanischen Teilung 1947 als sichtbare Wunde hinzuschreiben und spricht sich deutlich f\u00fcr eine Kultur des Erinnerns statt des Schweigens aus.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Das Trennende und das Verbindende ziehen sich wie ein roter Faden durch das Werk von Reena Saini Kallat (*1973). Sie ist eine der K\u00fcnstlerinnen, die das Kunstmuseum Wolfsburg bei der Ausstellung Facing India pr\u00e4sentiert hat. Ihr geht es nicht nur um umk\u00e4mpfte Territorialgrenzen, sondern auch um soziale und psychologische Barrieren. Trotz ihrer Stacheldraht\u00e4sthetik steht ihre [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7073,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"kunstmuseum_formatted_page_title":"","footnotes":""},"categories":[1],"tags":[411],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Artist&#039;s Statement: Reena Saini Kallat - Kunstmuseum Wolfsburg<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kunstmuseum.de\/en\/2018\/05\/artists-statement-reena-saini-kallat\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Artist&#039;s Statement: Reena Saini Kallat - Kunstmuseum Wolfsburg\" \/>\n<meta property=\"og:description\" content=\"Das Trennende und das Verbindende ziehen sich wie ein roter Faden durch das Werk von Reena Saini Kallat (*1973). Sie ist eine der K\u00fcnstlerinnen, die das Kunstmuseum Wolfsburg bei der Ausstellung Facing India pr\u00e4sentiert hat. Ihr geht es nicht nur um umk\u00e4mpfte Territorialgrenzen, sondern auch um soziale und psychologische Barrieren. 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