Exhibition preview

Credits

Antanas Sutkus, Untitled, 1970, silver gelantin print on baryta paper, Collection Kunstmuseum Wolfsburg, donation from private ownership 2020, © Antanas Sutkus

Ute Behrend, 2 Swans / Dancing Girl, 1995, 2 C-prints, diaplex on Dibond, ed. 1/6, image size: diptych, each 78 x 58 cm, Collection Kunstmuseum Wolfsburg, donation from private ownership 2020, © Ute Behrend

Serge Attukwei Clottey, Queer notion of justice, 2018, graphite on paper, sheet size: 101.6 x 66.04 cm, Sammlung Kunstmuseum Wolfsburg, donation of the artist, © Serge Attukwei Clottey, photo: Marek Kruszewski

Sylvain Couzinet-Jacques, Sub Rosa, 2017-2019, 4-channel audio-visual installation (videostill), Sammlung Kunstmuseum Wolfsburg, donation of Freundeskreis des Kunstmuseum Wolfsburg e. V. 2020, © Sylvain Couzinet-Jacques/ADAGP Paris 2021

Anna Malagrida, Les Mains 14, 2016, photography, digital print on cotton paper and dibond board, framed, ed. 4/5, Collection Kunstmuseum Wolfsburg, donation of Freundeskreis des Kunstmuseum Wolfsburg e. V. 2020, © Anna Malagrida

Clemens Kalischer, Two Girls Between Luggage (from the series "Displaced Persons"), 1948, silver gelatin print on baryta paper (vintage), Collection Kunstmuseum Wolfsburg, donation from private collection 2020, © Clemens Kalischer

François Jacob, Actrice, 2017, oil on canvas, image size: 130 x 100 cm, Collection Kunstmuseum Wolfsburg, © François Jacob, photo: François Jacob, Courtesy the artists and Thomas Rehbein Galerie.

Sylvain Couzinet-Jacques, Sub Rosa, 2017 -2019, 4-channel audio-visual installation (videostill), CO Berlin Talent Award 2019, Sammlung Kunstmuseum Wolfsburg, donation of Freundeskreis des Kunstmuseum Wolfsburg e. V. 2020, © Sylvain Couzinet-Jacques/ADAGP Paris 2021

True Pictures?

LaToya Ruby Frazier

October 30, 2021 – April 10, 2022

Credits

LaToya Ruby Frazier, U.S.S. Edgar Thomson Steel Works & Monongahela, 2013 (from the series The Notion of Family, 2001–2014), Gelatin silver print
50,8 x 61cm, framed © LaToya Ruby Frazier, Courtesy of the artist and Gladstone Gallery, New York and Brussels

LaToya Ruby Frazier, Momme, 2018 (from the series The Notion of Family, 2001–2014), Gelatin silver print, 50,8 x 61 cm, framed © LaToya Ruby Frazier,
Courtesy of the artist and Charlotte Feng Ford Collection

LaToya Ruby Frazier, The Last Cruze, Installation view, 2019 at Renaissance Society. The Last Cruze was originally commissioned by the Renaissance Society at the University of Chicago and curated by Karsten Lund and Solveig Øvstebø. Photo: Useful Art Services.

LaToya Ruby Frazier, Sandra Gould Ford sitting on the Bank of the Monongahela River in Braddock, PA, 2017 (from the series On the Making of Steel Genesis: Sandra Gould Ford, 2017), Gelatin silver print, 125,7 x 156,2 cm, framed © LaToya Ruby Frazier, Courtesy of the artist and Gladstone Gallery, New York and Brussels

LaToya Ruby Frazier, Shea brushing Zion’s teeth with bottled water in her bathroom, 2016/2017 (from the series Flint is Family I, 2016/ 2017), Gelatin silver print, 71,1 x 61 cm, framed © LaToya Ruby Frazier, Private Collection
Courtesy Beaman Delman Fine Arts

Power! Light!

March 12, 2022 - July 10, 2022

Credits

Lori Hersberger, Sunset 164, 2006, neon systems, black float glass, 164 x 300 x 1.8 cm (neon), 164 x 300 x ca. 400 cm (installation dimensions), © Lori Hersberger Studio, courtesy Lori Hersberger Studio, Zurich, photo: Hans-Georg Gaul, Berlin

Mario Merz, Objet cache-toi, 1968, iron rods, wire mesh, linen sacks filled with wood shavings, neon systems, variable transformer, 110 x Ø 210 cm, Kunstmuseum Wolfsburg, © Mario Merz / VG Bild-Kunst, Bonn 2021, photo: Helge Mundt

Mariana Vassileva, Burned Hands, 2013, charred wood, neon system, 60 x 45 x 30 cm, Kunstmuseum Wolfsburg, on permanent loan from a private collection, © Mariana Vassileva, Kunstmuseum Wolfsburg, photo: Mariana Vassileva

Georg Herold, House within His Darkness [ἐν ἀρχῇ ἦν ὁ Λόγος] (Cyber-Merz), Holz, Stahlrohr, Leuchtmittel, Elektroinstallationen, Apfelsine, 1995, wood, steel tube, fluorescent tubes, electrical installation, 325 x 195 x 258 cm, Kunstmuseum Wolfsburg, © Georg Herold / VG Bild-Kunst, Bonn 2021, photo: Helge Mundt

Exhibition preview

Menschenbilder

(Images of Humanity)

Credits

True Pictures?

LaToya Ruby Frazier

Credits

Power! Light!

Credits